Pages libres : logo (2002) Drawing by Laurence De Sainte-Maréville

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (10201 reviews)

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Seller Laurence De Sainte-Maréville

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155 px
	233 px

Dimensions of the file (px)	155x233
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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This artwork appears in 1 collections

Original Artwork Drawing,

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
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About this artwork: Classification, Techniques & Styles Technic Drawing Drawing is a technique of visual representation[...]

Laurence De Sainte-Maréville

France

L.dSM is an illustrator, a fine artist, a writer published in France in collections and reviews (paintings, logos, digital artwork, editorials, articles, poems). "Most of the times, I start[...]

L.dSM is an illustrator, a fine artist, a writer published in France in collections and reviews (paintings, logos, digital artwork, editorials, articles, poems).

"Most of the times, I start by a drawing with pencil (or more according to the case : brush with several possible techniques, watercolor, acrylic etc...) then I go on with numeric brushes.

Rather than recreating what I see, I prefer to interpret what I perceive. It is necessary to be at least two in one to make an artistic creation. One who builds and one who sees. The ideal would be that each "reader" could recreate the painting, the poem, or any other form of art, with his own intonations, his past, the movements of his/hers inner soul waves. The second thunderbolt strike has more importance than the first, it is the one which remains alive.

The wheel turns, I make a patchwork of scraps and tend to read "ourselves."
Certain lives are spelling themselves within, in which I find in myself fragmented. I know only your words, pencils of sun, those which thread between the shade and the light its mysterious side.
Through life difficulties, the flow of my brushes foams on the fine stone of your glances. The box of faces slipping into my pocket, I push life at my measure, and untie simply its cord with a voice..."