Painting titled "FRATERNITE" by Arnold Livingstone, Original Artwork, Acrylic

FRATERNITE (2016) Painting by Arnold Livingstone

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Original Artwork Painting, Acrylic

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 35.4in, Width 35.4in
Categories Paintings under $5,000 Abstract

acrylique et matériaux divers sur toile About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional pigments mixed with synthetic[...]

Arnold Livingstone

France

Diplômé de l’école supérieure des Beaux Arts de Marseille dans les années 70,
Arnold LIVINGSTONE entame une carrière dans le graphisme publicitaire après s’être initié à plusieurs disciplines.
Il s’oriente rapidement vers la peinture en totale liberté au gré de son inspiration, créant l’œuvre au moment précis où les idées lui viennent, modelant ainsi un autre monde et laissant le visiteur à son imaginaire.
Ses tableaux adoptent diverses techniques, acrylique ou huile sur supports variés : toile, bois ou papier collé.
Ses peintures ont naturellement trouvé leur place dans différentes expositions personnelles et de groupe.
Ses mots clés : Abstrait, Géométrique, Contemporain

Graduate of the higher school of Beautiful Arts of Marseilles in the Seventies, Arnold LIVINGSTONE starts a career in advertising graphics after having initiated himself with several disciplines. He directs himself quickly towards painting in total freedom with the liking of his inspiration, creating work at the precise time where the ideas come to him, thus modelling another world and leaving the visitor to his imaginary.
Its tables adopt various techniques, acrylic resin or oil on varied supports: fabric, wood or stuck paper. Its paintings naturally found their place in various personal exposures and of group.
Its key words: Abstracted, Geometrical, Contemporary