Ielele (2020) Painting by Eliza Matica
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Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 27.6in, Width 39.4in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Impressionism
The iele are feminine mythical creatures in Romanian mythology. There are several differing descriptions of their characteristics. Often they are described as faeries (zâne in Romanian), with great seductive power over men, with magic skills and attributes similar to nymphs, naiads and dryads found in Greek mythology.
The iele are said to live in the sky, in forests, in caves, on isolated mountain cliffs and in marshes, and reported to have been seen bathing in the springs or at crossroads. From this point of view, the Iele are similar to the Ancient Greek Hecate, a three headed goddess of Thracian origin, who guards crossroads.
They mostly appear at night by moonlight, as dancing Horas, in secluded areas such as glades, the tops of certain trees (maples, walnut trees), ponds, river sides, crossroads or abandoned fireplaces, dancing naked, with their breasts almost covered by their disheveled hair, with bells on their ankles and carrying candles. In almost all of these instances, the Iele appear to be incorporeal. Rarely, they are dressed in chain mail coats. The effect of their specific dance, the Hora is similar to the dances of the Bacchantes.
To please the iele, people dedicated festival days to them: the Rusaliile, the Stratul, the Sfredelul or Bulciul Rusaliilor, the nine days after the Easter, the Marina etc. Anyone not respecting these holidays was said to suffer the revenge of the Iele: men and women who work during these days would be lifted in spinning vertigo, people and cattle would suffer mysterious deaths or become paralyzed and crippled, hail would fall, rivers would flood, trees would wither, and houses would catch fire.
People also invented cures against the iele, either preventive or exorcistic in nature: garlic and mugwort worn around the waist, in the bosom, or hung from the hat; or hanging the skull of a horse on a pole in front of the house. The most important cure is the dance of Călușari.
The iele are said not to be solitary creatures, but gather in groups in the air, where they can fly with or without wings; they can travel with incredible speeds, either on their own, or with chariots of fire. The iele appear sometimes with bodies, at other times only as immaterial spirits. They are young and beautiful, voluptuous immortals, their frenzy causing delirium in onlookers, and with bad tempers, but not being necessarily evil. They come in groups of three or seven. This version is mostly found in Oltenia, were three Iele are considered the daughters of Alexander the Great, called Catrina, Zalina and Marina.
Related themes
Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...
2018-2019 Postwar Abstract Painting MoMA New York,New York, United States
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania
All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.
In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!
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Nationality:
ROMANIA
- Date of birth : 1974
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Romanian Contemporary Artists
