Bad Angelot (2018) Photography by Elise Vincent

Not For Sale

Seller Elise Vincent

  • Limited Edition (#1/30) Photography, Digital Photography on Paper
  • Number of copies available 1
  • Dimensions Height 11.8in, Width 11.8in
  • Framing This artwork is not framed
  • Categories Abstract
"Bad angelot" n°1/30, photographie numérique retouchée, 2018 © Elise Vincent. La pierre recèle une histoire que seul l'imaginaire peut révéler. Une scène, un personnage énigmatique et tout s'anime dans notre esprit. Tirage sur papier fujifilm crystal archive 30 x 30 cm, contrecollé sur carton mousse 5 mm. Signé et numéroté au dos. Certificat d'authenticité. [...]
"Bad angelot" n°1/30, photographie numérique retouchée, 2018 © Elise Vincent

La pierre recèle une histoire que seul l'imaginaire peut révéler. Une scène, un personnage énigmatique et tout s'anime dans notre esprit.

Tirage sur papier fujifilm crystal archive 30 x 30 cm, contrecollé sur carton mousse 5 mm.
Signé et numéroté au dos. Certificat d'authenticité.

Couleurs dominantes : rouge, ocre, vert.

Le prix inclut les frais de livraison.

Possibilité de commander un tirage de format et support différent, avec ou sans encadrement. Prendre contact pour un devis.

Série "Imaginaire de roche"

A la frontière du minéral et de l’organique, du temps passé et présent, surgissent parfois de curieux personnages qui crient à la vie – un spectre à craindre ou un témoin du passé qui pourrait nous en apprendre, une présence-absence que l’œil et l’esprit détournent. De l'élément original à l'image revisitée, l'imaginaire aux commandes, c'est vous qui créez votre récit.

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Elise Vincent is a visual artist who lives and works in the Paris region (France). She was born in 1990, she began photography in 2006. Her plastic research took shape in 2010 and she exhibited for the first time [...]

Elise Vincent is a visual artist who lives and works in the Paris region (France). She was born in 1990, she began photography in 2006. Her plastic research took shape in 2010 and she exhibited for the first time in 2011.

His creation is based on photography and digital transformation. Beyond aesthetics, she is interested in the narrativity of images. His creative universe is imbued with dreams and invites the viewer to stroll through the depths of his imagination. Most of the time, she tends towards abstraction and her visuals show a certain pictoriality.

She takes her shots during "photographic walks" or spontaneously if an element of the surrounding decor catches her eye. She transforms sometimes banal real elements to bring out their intrinsic poetry. His photographs are elaborated in series. A few rare visuals exist in isolation.

The final creations arise "instinctively" or are part of a theme thought out from the shooting. The basic material must be rich: a pile of rubbish, for example, can become a real gold mine for her. What matters above all are the relief and the contrasts already present. The deformed material reinvents itself over the cursor and must be able to take shape in a look.

For her, the real freedom lies in the imagination. Elise Vincent's objective is therefore to encourage the viewer to explore and develop his own. What she wants is to create a story, for the viewer to see characters where there is only wood, a storm when its starting point is only the reflection of water, insects when they are stains. There is no limit to the emotions aroused by an image or to the reading that can be made of it, especially if it is abstract.

Nature is the main source of inspiration for Elise Vincent, followed by literature and cinema. She sees photos as little windows into the world – our inner worlds. And it's an idea that the square format, which she has been using mainly since 2017, reinforces.

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