ABAPORÙ hommage à Tarsila do Amaral (2023) Sculpture by Elisabeth Fabre Derulliere

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Seller Elisabeth Fabre Derulliere

Fine art paper, 9x8 in

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$34.97
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  1258 px  

1500 px
Dimensions of the file (px) 1258x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
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  • Original Artwork (One Of A Kind) Sculpture, Clay on MDF Board
  • Dimensions Height 15in, Width 12.2in / 4.00 kg
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $500 Outsider Art Colorful
Bas-relief en argile. Gouaches, encres, huile de lin. Abaporù signifie en langue indienne tupî guarani "l'antropophage". About this artwork: Classification, Techniques & Styles. Clay. Sculpture technique using as a raw material a malleable soil that can have different colors. Outsider Art. Invented by Jean Dubuffet (1901-1985) in 1945, the idea is [...]
Bas-relief en argile. Gouaches, encres, huile de lin. Abaporù signifie en langue indienne tupî guarani "l'antropophage".
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Born in Casablanca, to a Gironde mother and a father of British origin, of Franco-Spanish culture. Youth shared between Morocco (5 years), Provence (5 years), Brazil (5 years) and Poitou-Charentes (since she was [...]

Born in Casablanca, to a Gironde mother and a father of British origin, of Franco-Spanish culture. Youth shared between Morocco (5 years), Provence (5 years), Brazil (5 years) and Poitou-Charentes (since she was 20), during which she never stopped drawing, sketching, modeling silhouettes to satisfy her admiration for the line and the human body. Major mark in the Baccalaureate arts option. Studies of Literature and History of Art. Career in national education as a documentalist. This leaves her a little free time to participate in several workshops. Eclectic and insatiable artist who wants to touch everything and especially not to be locked into a style. Only common thread: her hereditary taste for all blues, fluidity and transparency.

Retired, settled near Royan, she can finally set up her studio in Saint Georges de Didonne and participate in different workshops in Royan or Saintes, to discover new techniques and media. Passage through the copying of masters with Thomas Cambois, copyist at the Louvre, discovery of acrylic with Rosa Skop, sketching nudes with Jeanne Thual, modeling in the studio of Hélène Collignon. But she tirelessly returns to watercolor, which she appropriates by using new supports that she borrows from other techniques, and gives it an unusual brilliance in this pictorial technique, thanks to contemporary processes. Her discovery of Contemporary Art explains why very often her creations bring us back to her environment, to her social, political or philosophical concerns. The splendor of sunsets on Atlantic beaches fascinates her. It is an invitation to admiration and contemplation. By opening one's eyes, man becomes better.

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Charcoal on Paper | 16.9x10.6 in
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