Escarpins en noir et blanc (2023) Sculpture by Elisabeth D'Equainville

Sculpture - Plastic, 13.8x19.7 in
$780.57
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Customer's reviews Excellent
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Sold by Elisabeth D'Equainville

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Sold by Elisabeth D'Equainville

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Plexiglass
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Sculpture, Plastic on Plexiglass
  • Dimensions Height 13.8in, Width 19.7in / 1.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $1,000 Pop Art Fashion
J’avais envie de faire un tableau en 3D : J’ai fait découper des escarpins en plexi noir que j’ai collé sur un plexi blanc. Les escarpins étant collés les uns sur les autres ils sont donc en relief et le dernier a le talon qui sort du tableau L’encadrement noir en plexi fait partie intégrante du tableau.
J’avais envie de faire un tableau en 3D :
J’ai fait découper des escarpins en plexi noir que j’ai collé sur un plexi blanc.
Les escarpins étant collés les uns sur les autres ils sont donc en relief et le dernier a le talon qui sort du tableau
L’encadrement noir en plexi fait partie intégrante du tableau.

Related themes

ShoesEscarpins3DPlexiArtwork

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Élisabeth d'Equainville, born in 1954, is a French artist based in Nice. She left aside her true passion for fashion design to start a short career as a window dresser, but she missed drawing and eventually[...]

Élisabeth d'Equainville, born in 1954, is a French artist based in Nice.
She left aside her true passion for fashion design to start a short career as a window dresser, but she missed drawing and eventually joined a school of fresco painters. She carries out numerous projects on the Côte d'Azur, decorative painting, facades, trompe l'oeil, etc...
She opens her own workshop on the heights of Nice to devote herself entirely and definitively to her passion and live it to the full.
Her paintings are fleshed out with material and resin and after a few exhibitions begin to sell.
Then she gradually comes to 3D and attacks sculpture. Self-taught in this field, she searches, gropes, perfects herself to finally find her way, which suits her best: resin.
As in her paintings, one theme predominates: the Pump. For what ? Fetish object? Relentless passion for fashion? The artist's small stature? No one knows, but Elisabeth shakes up the codes of fashion, luxury and originality so that each of her works tells a story.


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