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Chronos (2021) Drawing by Edwin Loftus
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Original Artwork (One Of A Kind)
Drawing,
Pastel
on Paper
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Dimensions
15x12 in
Dimensions of the work alone, without framing: Height 12in, Width 9in - Framing This artwork is framed (Frame + Under Glass)
- Categories Drawings under $5,000 Classicism Nature
This concept of time as a thing or force that could be manipulated is ancient and still stands today in Einstein's Theory of Relativity. He proposed that time is related to velocity. The greater the velocity, the slower the flow of time. This has famously been supported by experiments with identical timekeepers, one in orbit and one on Earth, and the decay rates of sub-atomic particles. That's important because Einstein's conclusions were based on using mathematical calculations to represent ontological phenomena and, of course, mathematics is an imaginary realm that bears no direct relationship to reality. 1 + 1 never actually equals two 1s because no two 1s can ever be affirmed to be identical. So while 1 +1 = 1 + 1. It can never actually be determined that 1 + 1 = 2 x 1, in the physical world as we experience it. Velocity is relative, to the point of being of dubious value. An object moving at close to the speed of light, relative to some other object, may be not moving at all compared to another. So which object effects a determination of velocity is a matter of choice and perception, not ontological truth.
This is largely an issue of semantics and the inadequacy of our symbolic communications to accurately portray existence. If I swing my arm in a circle, my hand is moving at a greater velocity than my shoulder relative to every other object in existence. If this slowed its movement in time, it would disappear into the past, relative to my shoulder because, however slightly, time would not be passing as fast for it as for my shoulder, my elbow or my wrist. And when I stop swinging my arm, my hand wouldn't catch up in time to my shoulder, it would remain in the past advancing at whatever rate my shoulder is advancing but in my past, which no longer exists in my present.
None of this means that Einstein was wrong except in how he expressed himself. And though totally theoretical, mathematics has proven itself to be one of the most useful tools in studying phenomena. This is an Epistemological, (what is known and how), approach to the same subject and so far as I know, Einstein wasn't a student of Epistemology.
I, (perhaps foolishly), referred to this because there is more to the myth of Chronos than meets the eye. That's why I undertook this subject and I hope others will look beyond the superficiality of mysticism and ancient lore.
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Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination.
As a child he excelled at drawing and as a teenager he began to experiment with oil painting. In college, he took courses in art and art history and realized that true art had nothing to do with the quality of the drawing or painting, but that it had to have the ambition to push the boundaries and expand the visual experience.
He also studied philosophy, psychology and history and quickly realized that it was just another art establishment trying to defend its elitist industry and reward system. Their skills were almost non-existent, they knew nothing about psychology, perception or stimulus response, and they were extensions of the belief system that made communism, fascism and other forms of totalitarianism such destructive forces in the world. They literally believe that art shouldn't be available to ordinary human beings, but only to an elite "sophisticated" enough to understand it.
Edwin Loftus realized that the emperors of art had no clothes, but they were still the emperors. Gifted in art, he worked hard to acquire this skill. So he found other ways to make a living and sold a few artworks from time to time. For sixty years, many people enjoyed his works and some collected them.
Today, Edwin Loftus is retired. Even if he sold all his paintings for the price he asked, "artist" would be the lowest paid job he ever had... but that's the way it is. It won't matter to him after he dies. He just hopes that some people will like what he does enough to enjoy it in the future.
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Nationality:
UNITED STATES
- Date of birth : 1951
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Contemporary American Artists