Paradoxo do Pau-mulato 01 (2020) Photography by Eduardo Mariz
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1000 px | ||
|
1500 px |
| Dimensions of the file (px) | 1000x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Photographs under $1,000 Surrealism Tree
Related themes
Eduardo Mariz (Rio de Janeiro, 1963)
Vive no Rio de Janeiro. Artista e fotógrafo, doutor e mestre em artes pela Universidade do Estado do Rio de Janeiro - UERJ, possui especialização lato sensu em fotografia pela Universidade Cândido Mendes - UCAM-RJ. Desenvolve trabalhos e pesquisas em fotografia, construções fotográficas, vídeo, performances/esculturas ou performances, com ênfase na negociação de vultos da sua intermediação corpórea, atuando como fotógrafo ou fotografado, escultor ou escultura, sugerindo ainda a leitura dos seus resultados como ações performáticas cristalizadas. Em fotografia, promove o conceito de além do retângulo, envolvendo a evidenciação de tudo que estrutura, precede ou sucede a captura imagética e sua contemplação, através do agenciamento da fotografia em sua relação com o tempo, com o espaço ou com campos da consciência. Participa continuamente de exposições desde 1994. Realiza curadorias, produz textos críticos e publicações acadêmicas.
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Nationality:
BRAZIL
- Date of birth : 1963
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Brazilian Artists