Mango in the 4th (2024) Digital Arts by Doreen Holley
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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906 px | ||
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1500 px |
Dimensions of the file (px) | 906x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
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Products intended for sale | No |
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Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Conceptual Art Technology
This work, Mango in the 4th, 2024 is a digital work that is manifested in the physical realm in the form of a floating framed relief print, that acts as a target image, The QR code is scanned, which opens Instagram. Through Instagram, the target image interacts with the observer, showing a 3D version of Mango in AR form. This AR is a representation of another layer or attribute of the work in total, which is the essence of Mango. The SD Card contains the archival information in digital form.
Related themes
Doreen Holley is a visionary artist whose journey through the realms of experimental art has been shaped by a profound exploration of the digital medium. Hailing from Key West, Holley's artistic odyssey began with formal training at Parson's School of Design, followed by the acquisition of a BFA from Rutgers Mason Gross School of Art.
Influenced by the avant-garde ethos of the Fluxus movement, Holley found resonance in the concept-driven approach to art, where the aesthetic essence transcends mere physical form. Her background in printmaking provided a solid foundation, but it was the advent of computer graphics in the 1980s that ignited her fascination with the pure digital as a medium. For Holley, the digital realm isn't just a canvas—it's a sacred space where art resides
Holley's art exists in more than one dimension simultaneously, reflecting her belief that creation and manifestation are fluid processes that traverse both the digital and physical realms. She begins in the digital world, where she explores and refines her concepts, allowing the limitless possibilities of the medium to shape her vision. This digital inception is not confined to a screen but is brought to life in the physical world, where tangible expressions of her art trigger a reciprocal relationship with their digital origins. The physical elements of her work often contain embedded digital triggers, such as QR codes or augmented reality components, that invite viewers to engage with the art on multiple levels. Conversely, the digital representations can activate physical responses, creating an interconnected experience where each dimension enhances and informs the other. Holley's practice exemplifies a seamless integration of digital and physical spaces, where the boundaries between the two are fluid, and the full aesthetic experience is realized through their interplay
Drawing inspiration from a diverse array of artistic luminaries, including Marcel Duchamp, Jonathan Borofsky (notably his iconic "Man In Space"), and guided by the philosophical musings of Tom Robbins and Robert Lanza, Holley's work embodies a fusion of visionary ideas and groundbreaking techniques.
Holley's 1993 thesis exhibition sparked profound inquiries into the nature of reality and the essence of art itself. "What defines reality and what constitutes ARTIs it defined by the Artist or the curator?" this thought-provoking exploration challenged conventional notions and invited viewers to question the very fabric of perception.
Holley is at the forefront of immersive artistic experiences, pushing the boundaries of traditional art forms and exploring new dimensions of creativity and is currently a Meta partner developing XR/AR/VR
Holley's XRtistry reflects a synthesis of her diverse life experiences, blending philosophical inquiry with technical innovation to push the boundaries of artistic expression.
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Nationality:
UNITED STATES
- Date of birth : 1963
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary American Artists