The Uath Lochans (2024) Collages by Donald Mcleman

Collages on Paper, 12x16 in
$615.12
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Seller Donald Mcleman
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The Uath Lochans are a group of four small lochs glimpsed through the pines of Glen Feshie in the Cairngorms of Scotland. The Gaelic name 'Uath Lochans' means the 'hawthorn small lochs'. A 'lochan' is a small loch. For a non-Gaelic speaker the pronunciation is 'Wah Lochans' but you can find how the locals say it online. Mixed media collage on archival [...]
The Uath Lochans are a group of four small lochs glimpsed through the pines of Glen Feshie in the Cairngorms of Scotland.

The Gaelic name 'Uath Lochans' means the 'hawthorn small lochs'. A 'lochan' is a small loch. For a non-Gaelic speaker the pronunciation is 'Wah Lochans' but you can find how the locals say it online.

Mixed media collage on archival paper using acrylic paint on acid-free tissue paper and highlights of conté crayons. Each piece of paper is coated on both sides with a layer of Golden soft gel medium. The picture has been given a final layer of protection with Golden UV satin varnish.

Signed on the front and on the reverse with description and title.

Picture dimensions: 14 x 9" (356 x 229mm)
The picture is intended to be displayed in a frame. External dimensions of paper to fit a standard frame: 16 x 12” (406 x 305 mm)

Related themes

ScotlandCairngormsLochanWaterCollage

Expressionism Scotland Cairngorms Lochan Water Collage Texture Blue Abstract Modern Landscape Forest Trees
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Donald Mcleman Portrait
Donald Mcleman
United Kingdom
I am a mixed media artist born and raised in a small fishing village in the north of Scotland. I began as a professional photographer and ranged over other design roles in the real world and on the internet. Now [...]

I am a mixed media artist born and raised in a small fishing village in the north of Scotland. I began as a professional photographer and ranged over other design roles in the real world and on the internet. Now my time is filled with rough paper collages and expressive mark-making. These pictures open up naive explorations of unlikely compositions and fleeting reactions, worked out with instinct and emotional thrusts. My technique juggles unforeseen juxtapositions with broken fragments, the whole coming together to achieve a precarious but satisfying complexity. The question of balance is always present. The torn and faded materials reflect the passage of time alongside a view of an imperfect humanity.

My influences may not be apparent… I keep coming back to Cézanne and Matisse.

All these works are made to archival standards on sealed wood. The paper is coated on both sides with Golden soft gel medium to preserve the colours and protected with UV varnish.

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