It was Summer Then (2024) Collages by Donald Mcleman

Collages on Canvas, 8x10 in
$369.54
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Artwork signed by the artist
Certificate of Authenticity included
Mounted on Other rigid panel
Painting using acrylic paint and acrylic marker on acid-free tissue paper with collaged tissue. Adhered to canvas panel with a layer of Golden soft gel medium. As children we loved to go fruit-picking. My parents knew the best hedgerows and where to stop the car. There is something deeply therapeutic about gathering raspberries, everyone should try [...]
Painting using acrylic paint and acrylic marker on acid-free tissue paper with collaged tissue. Adhered to canvas panel with a layer of Golden soft gel medium.

As children we loved to go fruit-picking. My parents knew the best hedgerows and where to stop the car. There is something deeply therapeutic about gathering raspberries, everyone should try it. The lines are crisp but the background is faded and happy to be that way.

The picture has been created on a canvas panel treated to archival standards to preserve the work. The tissue paper has been coated on both sides with Golden soft gel medium and the picture given a final layer of protection with Golden UV matte varnish.

The picture wraps over the sides of the panel. The picture is the standard size 10 x 8". Signed on the reverse with description and title.

Related themes

RaspberriesFruitPlantCollageGreen

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I am a mixed media artist born and raised in a small fishing village in the north of Scotland. I began as a professional photographer and ranged over other design roles in the real world and on the internet. Now [...]

I am a mixed media artist born and raised in a small fishing village in the north of Scotland. I began as a professional photographer and ranged over other design roles in the real world and on the internet. Now my time is filled with rough paper collages and expressive mark-making. These pictures open up naive explorations of unlikely compositions and fleeting reactions, worked out with instinct and emotional thrusts. My technique juggles unforeseen juxtapositions with broken fragments, the whole coming together to achieve a precarious but satisfying complexity. The question of balance is always present. The torn and faded materials reflect the passage of time alongside a view of an imperfect humanity.

My influences may not be apparent… I keep coming back to Cézanne and Matisse.

All these works are made to archival standards on sealed wood. The paper is coated on both sides with Golden soft gel medium to preserve the colours and protected with UV varnish.

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