FLOWER ON A GLASS TABLE (2016) 描画 Fiona Maude Malseed-Viollet によって

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Coloured pencils and plack biro- Iuse a personal technique when drawing to allow me to surpose colours or to counter balance them with their opposites to create a 3 d- effect, which is due to the way that light is perceived by the human eye. The aim is to have each indevidual recieve the "light messages" that are necessary for the eye to[...]
Coloured pencils and plack biro- Iuse a personal technique when drawing to allow me to surpose colours or to counter balance them with their opposites to create a 3 d- effect, which is due to the way that light is perceived by the human eye. The aim is to have each indevidual recieve the "light messages" that are necessary for the eye to create the visionnnement, and so each person should see the drawing slightly differently according to their physical capacity to percieve colours , light and shade.
I am particularly focused on the transparency of glass, indeed, the interpretation of the transparency of thought, feelings, the memory of water..the memory of past associated images in the way we interpret what we see.....
It's a 'friendly' picture, as Iaim at the appreciation of what I see as beauty, and easy to appreciate, of couse "appreciate according to each one's level of artistic competence.Cheers!
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Born in Dublin in Ireland, I started drawing when I was a toddler, at 5 years old school teachers complained when I would do nothing but draw, and I explained to my dad thay I intended to do my school work[...]

Born in Dublin in Ireland, I started drawing when I was a toddler, at 5 years old school teachers complained when I would do nothing but draw, and I explained to my dad thay I intended to do my school work with him in the evenings!I would have liked to go to Art college, but the year of my Leaving Cert the art college was closed due to drugs etc; and my parents were against me following an art career, so I became a national school teacher,with the hope that I would lave a lot of time free for art; 

Married young, I left Ireland for Africa with my french husband, but as he was a veterinary doctor and as I was also an animal lover, I spent many years as a vererinary assistant, part time teacher, mother and wife, and like so many other artistic people, could only draw in my free time, free time which I seldom had.

I have developed a personal style,according to what I admire in art,

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