Collages titled "Maternité" by Denis Reitz, Original Artwork, Paper

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Maternité (1991) Collages by Denis Reitz

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Original Artwork Collages, Paper

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Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 15.8in, Width 4.3in
Categories Outsider Art

carton et fusain sur bois About this artwork: Classification, Techniques & Styles. Paper. Sculpture technique using a light and flexible material forming a thin sheet. Outsider Art. Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. He will also advise to [...]

Denis Reitz

France

French artist. Lives and works in Paris. Admitted to the « Maison des artistes » since 1995, his activity as a visual artist is accompanied and supported by his work as a graphic designer-consultant working with major agencies of communication and publishing, where he confronts the technological evolutions in his search for the expressible colour.

Self-taught, he seeks his inspiration in the streets and gutters, and collects his materials on both shores of the Mediterranean: corroded metal, fragments of mechanisms, textured papers are for him as many fields of exploration and sensations.

Inspired by the artistic trends of the 1960’s: New Realism, Supports/Surfaces and The School of Nice, he practices an empirical technique of agglutination, with different media and binders, in search of reconstruction, semantic reminiscences, presences……

As a collagist, his masters in composing and assembling are the great cubist surrealists (Georges Braque, Kurt Schwitters…) and for the papers, the posters of the 1960s (Jacques Villeglé, Herbert Brandl…).

The digital virtual allows him to experiment in electronic saturation, the extreme vibration of colours traditionally termed "non-printable", to create a "Pop’Up" universe..

-Remerciements à Wade H Grimbly pour la traduction anglaise-