Biophilia Aufbau von Julie Maren

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Dieses Kunstwerk erscheint in 27 Sammlungen
  • Original-Kunstwerk Aufbau, Kunstinstallation
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  • Kategorien Abstrakte Kunst
Biophilia speaks to humankind’s intrinsic biological connection to and need for connection with nature. This flexible and adaptive installation plays with biomorphic patterns and natural and synthetic materials as a way to remind us that we are part of nature and not separate from it. found acorn tops filled with natural and synthetic[...]
Biophilia speaks to humankind’s intrinsic biological connection to and need for connection with nature. This flexible and adaptive installation plays with biomorphic patterns and natural and synthetic materials as a way to remind us that we are part of nature and not separate from it.

found acorn tops filled with natural and synthetic ingredients form this flexible installation. Light and shadow add another level of interaction.

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Vereinigte Staaten
Over the last few years, a desire to liberate my paintings from flat surfaces and right angles, led to my exploration of more fluid and multidimensional creative approaches, expanding my techniques, and embracing[...]

Over the last few years, a desire to liberate my paintings from flat surfaces and right angles, led to my exploration of more fluid and multidimensional creative approaches, expanding my techniques, and embracing new materials. The internal schism between my painterly self, who layers pigment and imagery to create compositions, and my stone carving self, who destroys and removes material to reveal what is underneath has merged. Now I cut up my paintings with power tools in order to reconfigure them in larger collage-based works. I make large flexible sculptural installations that function as large paintings. I collaborate. I make ceramic plates.

My creative path has led me to work as a painter, stone carver, installation artist, ceramicist, textile designer and illustrator. As a fine artist, I have received major grants, attended multiple artist in residency programs and sculpture symposiums, and my artwork is in private and corporate collections. My paintings have been woven into textiles in the form of a signature series with the Smartwool company. I have illustrated two children’s books: “Celia Cruz, Queen of Salsa” (Dial/Penguin, 2005) and “An Orange in January” (Dial/Penguin, 2007).

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