"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1125 px | ||
|
1500 px |
| Dimensions of the file (px) | 1125x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
on Paper
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Digital Arts under $1,000 Illustration Fish
It is every pixel a different colour at full size 4032 × 3024 pixels.
Producing every pixel unique in colour randomly would mean you wouldn’t see the shapes. My software uses algorithms to maintain shape and close-on tone. It chooses its colours meaningfully.
You can test that no two pixels are the same colour (i.e. same RGB triad) with a colour meter, such as my own free colour meter on my landofinterruptions developments website
Algorithms for producing every colour pixel have to use techniques that prevent the result from looking too muddy and flat, which occurs because with the whole range of colours there's inevitably going to be a kind of mid-range lightness level. Also to prevent lines and blocks appearing the colour selection needs to be a bit randomised.
May be printed at any size depending on the width of the printing machine. Of course the resizing may not mean that every pixel is still a different colour, will look the same though.
Dave Collier (Collimost) is a digital artist and professional photographer who over many years he has been developing software for understanding visual perception and analysing and manipulating images.
In addition to his own software, he makes use of Adobe Creative Suite, especially Illustrator, Photoshop, Lightroom and After Effects. The underlying aim is to analyse photos – photos especially though could be any image – to try and understand what aspects of those images are particularly significant in denoting or engendering mood and atmosphere; what gives an image lasting effect to the viewer.
He creates abstract pictures always with a defined colour pattern underlying the design, digital drawings which are essentially coloured drawings usually using a photo as a reference point, photo-manipulation with experimental colour analysis as the driver and he makes use of text sometimes as part of the overall design message. He has a special interest subject area: urban scenes.
Dave Collier (Collimost) is essentially self-taught as an artist, his profession is, or was and still is now and then, computer programmer. He lives and works in Carlisle (United Kingdom).
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Nationality:
UNITED KINGDOM
- Date of birth : 1945
- Artistic domains:
- Groups: Contemporary British Artists
