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Mandala do Eremita (2023) Painting by Daniel Cenachi
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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Usage: Web Licence
1500 px | ||
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1500 px |
Dimensions of the file (px) | 1500x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Watercolor
/
Ink
on Paper
- Dimensions Height 21.7in, Width 21.7in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $500 Symbolism Spirituality
Related themes
Daniel Cenachi was born in Brazil in 1994. He understands that the only way to express his monsters, enigmas, emotions and latent thoughts was through Art. That's how his journey began: seeking to express with colors, textures and shapes what the word couldn't handle. As a painter he believes that paints and brushes act as ventrilocus of the true instrument of his art: Silence.His performance is established in traditional, classical art. His great personal and professional project is to be a tragic artist, in the Nietzschean sense of the word tragic, that is, in the sense of integrating man's ambivalences. In his work as a whole, he seeks in classical, mythological and folkloric ways to develop his symbols about the power of creative life as a tragic life, that is, as a life that has no way out, that has no salvation. The tragic artist, therefore, is the one who embraces his aesthetic calling, even though he knows that his journey will always lead him to a controversial, painful and challenging destination, rather than being content with common sense that will lead him to oblivion. The tragic artist knows that he must face Medusa, even though he is looking indirectly at her.Cenachi is currently involved in personal and artistic projects that deal with an internal folklore ideal. This folklore would be a symbolic and atmospheric representation of the human emotions that hide behind the masks we create for ourselves. We learn to keep monsters in the closet, under the bed, and relocate them in the unconscious when we grow up. But they are there, eyes open and glazed, waiting for the mere sign of the mind's weakness to emerge.
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Nationality:
BRAZIL
- Date of birth : 1994
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Brazilian Artists