Unseen Grey (1-99): N.35 (2019) Sculpture by Dan Crossland

Sculpture - Cement, 17.1x25.3 in
$3,122.62
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This artwork appears in 44 collections
UNSEEN is the first artwork of DISSONANCE Collection, created in collaboration with the British artist Dan Crossland by SCALPT digital art gallery. UNSEEN is a tormented human figure trapped in a claustrophobic space by a steel frame, metaphor of the psychological and abstract limits which isolate men in contemporary times. Barriers don't exist in [...]
UNSEEN is the first artwork of DISSONANCE Collection, created in collaboration with the British artist Dan Crossland by SCALPT digital art gallery.

UNSEEN is a tormented human figure trapped in a claustrophobic space by a steel frame, metaphor of the psychological and abstract limits which isolate men in contemporary times.
Barriers don't exist in reality, but only within the figure itself, a self imposed suppression.

The DISSONANCE Collection depicts how we find our place in the world while fighting to overcome the restrictive standards of society and the weaknesses of our minds.

UNSEEN Standard Edition is available in different nuances: grey, white and black.

Call SCALPT to have more information about this sculpture.

Related themes

Figurative ArtSculptureContemporaryMinimalistArtwork

Artist represented by SCALPT
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Dan Crossland was born in the steel city of Sheffield UK in 1978 to a family of builders and stone masons. He studied painting and sculpture at Scotland Art School as well as further study in anatomy and the fundamentals [...]

Dan Crossland was born in the steel city of Sheffield UK in 1978 to a family of builders and stone masons. 

He studied painting and sculpture at Scotland Art School as well as further study in anatomy and the fundamentals of classical art, which enabled Dan to explore his interest in human form and refine his techniques, which span both digital and traditional practice.

Dan’s work sensitively draws inspiration from the figurative sculptures of the 19th century while bringing a modernity to the work with emotional abstraction.

He currently teaches classical sculpture and his Artistic Anatomy course with Mold3D.

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