PARADISE IN & OUT (2025) Painting by Dags

Acrylic on Canvas, 78.7x118.1 in
$9,444.7
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Fine art paper, 8x11 in

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In my work I professionally study fears. Why do you, Dags, study fears? DIGESTED FEAR IN A FREE STROKE AND IN A FREE LINE. I paint only when I see an idea how to respond to the hum of time. My painting is a response cry to the pressure of world bankers. The curtailment of human freedoms by tightening the reforms of the financial system acts on people [...]
In my work I professionally study fears. Why do you, Dags, study fears? DIGESTED FEAR IN A FREE STROKE AND IN A FREE LINE. I paint only when I see an idea how to respond to the hum of time. My painting is a response cry to the pressure of world bankers. The curtailment of human freedoms by tightening the reforms of the financial system acts on people like a slow but constant tightening of a noose around their necks. Behind the world upheavals in the mass media, in fact, there is a quiet subjugation of the human spirit. Ingeniously cunningly shocking news and censorship for 4 years there has been no discussion and attacks on the true players who are at war with humanity and with each of us personally. We do not see them, because they are not a country and not a political force. It is like GOD, we do not see, but we feel his power, when from panic fear, the blood in a person's veins curdles. Without understanding who the lethal enemy and invisible killer and blackmailer is who has captured your children for castration and your close parents for forced euthanasia. All revolutionary reforms in the world are not happening at the request of humanity, not according to human needs. Day after day, not allowing to get blown away and publicly paralyzing by stating problems, putting forward their targeted plans. Everything is going its own way, like a movie script. It seems logical. Terrorist pretexts are created for tightening measures. Pretexts and staged crises are created for the abolition of rights and freedoms. The best scriptwriters from the burnt Hollywood, now composing a sequence in the central world media. For the reform of the monetary system and the transfer of the value system itself. Which, since the introduction of money, was subordinated to mutually beneficial exchange. That is, in money, a service was valued according to the needs and desires of a human being. Now a centered assessment system is being introduced. Like a grading system at school. Those who think and work for the benefit of the families of trillions of central bankers. For their obedience, they will allocate a night's lodging and food for the day, until the next verification of statements. If there is no obedience, there will be no dose of food and warmth of lodging. The same as with animals in a farm behind bars in one square meter.

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Dags Vidulejs is a contemporary Latvian artist. His main goal is to use catharsis to engage the audience in conversation. In contrast to seeking to provoke the viewer's thought by contrasting many levels of symbolically [...]

Dags Vidulejs is a contemporary Latvian artist. His main goal is to use catharsis to engage the audience in conversation. In contrast to seeking to provoke the viewer's thought by contrasting many levels of symbolically structured subcultures in the shape of a triptych, Vidulejs' artistic approach is a counterbalance, dividing reality into nature, culture, the urban environment, and virtual reality.

His education and the changes in his trajectory brought on by the places and people he has visited are the main stages in the artist's work. The primary goal of intellectual creativity is to advocate for socially marginalized groups by using the language of the arts. His paintings can be found in private collections in China, Austria, Germany, Denmark, Latvia, Estonia, and Russia.


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