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NEVER AGAIN 1940-2030 (2023) Painting by Dags
Oil on Canvas, 42.5x59.8 in
$8,921.9
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This artwork appears in 1 collections
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Original Artwork (One Of A Kind)
Painting,
Oil
/
Ink
on Canvas
- Dimensions Height 42.5in, Width 59.8in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $20,000 Conceptual Art War
J'ai eu une exposition personnelle au Tel Aviv Performing Art Center. Il n’y a pas de tableaux avec une expérience personnelle très émotionnelle sur le thème du GÉNOCIDE. Il y a des photos historiques des camps de concentration hitlériens et staliniens. Il y a de bonnes sculptures émotionnelles. de 2020 à 2022, pendant les confinements et les[...]
J'ai eu une exposition personnelle au Tel Aviv Performing Art Center. Il n’y a pas de tableaux avec une expérience personnelle très émotionnelle sur le thème du GÉNOCIDE. Il y a des photos historiques des camps de concentration hitlériens et staliniens. Il y a de bonnes sculptures émotionnelles. de 2020 à 2022, pendant les confinements et les couvre-feux cruels et la répression agressive des manifestants et sous l'influence d'exécutions médicales forcées, l'auteur a réussi à profiter « sur sa peau » du fait que son corps est traité comme un animal dans une ferme fermée. Biles était si fort qu’il ne pouvait utiliser aucun outil démocratique pour résister à l’arbitraire sans cérémonie des structures de pouvoir. C'est pourquoi le tableau « PLUS JAMAIS » a été créé de manière poignante à partir d'une expérience personnelle.
Le tableau n’est probablement pas destiné à la chambre. Mais pour visiter des musées, comme Le Cri de Munch. Si quelqu'un, amis, a une idée de l'endroit où ce tableau pourrait s'intégrer, aidez le conservateur du projet à trouver un sponsor pour un cadeau à un musée de l'Holocauste. Ou certaines organisations de défense des droits humains dans la fière France. Qui utiliserait ce tableau comme un avertissement pour que la société ne se retrouve pas dans un camp de concentration numérique, dans le cadre du coup d'État de l'Agenda 2030 du WEF, sans lutter pour le libre arbitre de l'individualité.
I had a solo exhibition at the Tel Aviv Performing Art Center. There are no paintings with a very emotional personal experience on the subject of GENOCIDE. There are historical photos from Hitler and Stalinist concentration camps. There are emotional good sculptures. from 2020-2022, during lockdowns and cruel curfews and aggressive suppression of demonstrators and under the influence of forced medical executions, the author managed to enjoy "on his own skin" that his body is treated like an animal in a closed farm. Biles were so strong and could not use any democratic tools to resist the unceremonious arbitrariness of the power structures. That is why the painting "NEVER AGAIN" was poignantly created from personal experience.
The painting is probably not meant for the bedroom. But for visiting museums, like Munch's Scream. If anyone, friends, has an idea where this painting would fit, help the curator of the project find a sponsor for a gift to a holocaust museum. Or some human rights protection organizations in proud France. Who would use this painting as a warning so that society does not end up in a digital concentration camp, as part of the WEF Agenda 2030 coup, without fighting for the free will of individuality.
Le tableau n’est probablement pas destiné à la chambre. Mais pour visiter des musées, comme Le Cri de Munch. Si quelqu'un, amis, a une idée de l'endroit où ce tableau pourrait s'intégrer, aidez le conservateur du projet à trouver un sponsor pour un cadeau à un musée de l'Holocauste. Ou certaines organisations de défense des droits humains dans la fière France. Qui utiliserait ce tableau comme un avertissement pour que la société ne se retrouve pas dans un camp de concentration numérique, dans le cadre du coup d'État de l'Agenda 2030 du WEF, sans lutter pour le libre arbitre de l'individualité.
I had a solo exhibition at the Tel Aviv Performing Art Center. There are no paintings with a very emotional personal experience on the subject of GENOCIDE. There are historical photos from Hitler and Stalinist concentration camps. There are emotional good sculptures. from 2020-2022, during lockdowns and cruel curfews and aggressive suppression of demonstrators and under the influence of forced medical executions, the author managed to enjoy "on his own skin" that his body is treated like an animal in a closed farm. Biles were so strong and could not use any democratic tools to resist the unceremonious arbitrariness of the power structures. That is why the painting "NEVER AGAIN" was poignantly created from personal experience.
The painting is probably not meant for the bedroom. But for visiting museums, like Munch's Scream. If anyone, friends, has an idea where this painting would fit, help the curator of the project find a sponsor for a gift to a holocaust museum. Or some human rights protection organizations in proud France. Who would use this painting as a warning so that society does not end up in a digital concentration camp, as part of the WEF Agenda 2030 coup, without fighting for the free will of individuality.
Related themes
Dags Vidulejs is a contemporary Latvian artist. His main goal is to use catharsis to engage the audience in conversation. In contrast to seeking to provoke the viewer's thought[...]
Dags Vidulejs is a contemporary Latvian artist. His main goal is to use catharsis to engage the audience in conversation. In contrast to seeking to provoke the viewer's thought by contrasting many levels of symbolically structured subcultures in the shape of a triptych, Vidulejs' artistic approach is a counterbalance, dividing reality into nature, culture, the urban environment, and virtual reality.
His education and the changes in his trajectory brought on by the places and people he has visited are the main stages in the artist's work. The primary goal of intellectual creativity is to advocate for socially marginalized groups by using the language of the arts. His paintings can be found in private collections in China, Austria, Germany, Denmark, Latvia, Estonia, and Russia.
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Nationality:
LATVIA
- Date of birth : 1961
- Artistic domains:
- Groups: Contemporary Latvian Artists
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