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Installation de dessins érotiques sur radiographies (2025) Painting by Corine Sylvia Congiu
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Usage: Web Licence
| 617 px | ||
|
1500 px |
| Dimensions of the file (px) | 617x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Spray paint
/
Pastel
/
Stencil
on Other substrate
- Dimensions Height 70.9in, Width 29.5in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative
Dessins réalisés au cutter et différents autres instruments (pastel gras, pointes, ciseaux) sur des radiographies -de 35.5 cm sur 28 cm minimum et autres formats- peintes préalablement à la bombe au moyen de pochoirs.
À suspendre dans l’espace, pour que le spectateur puisse voir à la fois le recto et le verso (radiographies de torses, de poumons, de pieds…) :
Ainsi, à confronter l’endroit du « décor », corps féminins érotisés, jeunes et bien portants, et son envers visible par transparence, d’os et de matières internes radiographiées, le sens qui se dégage des images suggère des «vanitas » (ou vanités) contemporaines.
La radiographie suggère inévitablement le danger de maladie, de dégénérescence du corps, et l’angoisse de la mort.
L’Eros des images de nus flirte avec le « Thanatos » de leur revers qui apparait grâce à la lumière ambiante et changeante, par fulgurances, comme des avertissements.
Les pièces peuvent être accrochées les unes au-dessous des autres pour constituer un kakémono accroché au plafond.
Le titre est issu de ce poème de Ronsard
A Cassandre
Mignonne, allons voir si la rose
Qui ce matin avoit desclose
Sa robe de pourpre au Soleil,
A point perdu ceste vesprée
Les plis de sa robe pourprée,
Et son teint au vostre pareil.
Las ! voyez comme en peu d'espace,
Mignonne, elle a dessus la place
Las ! las ses beautez laissé cheoir !
Ô vrayment marastre Nature,
Puis qu'une telle fleur ne dure
Que du matin jusques au soir !
Donc, si vous me croyez, mignonne,
Tandis que vostre âge fleuronne
En sa plus verte nouveauté,
Cueillez, cueillez vostre jeunesse :
Comme à ceste fleur la vieillesse
Fera ternir vostre beauté.
Pierre de RONSARD 1524 - 1585
Related themes
Corine Sylvia Congiu (b. 1953, Meknes, Morocco) is a French contemporary artist based in Essonne, whose multifaceted career spans painting, drawing, photography, video, and literature. Holder of the Agrégation d'Arts Plastiques and a DEA in Aesthetics, she also studied philosophy at La Sorbonne, complementing her artistic practice with intellectual rigor.
As a protean visual artist, Congiu's primary medium is painting, but her creative pursuits extend to writing, with a novel and several short stories selected for awards and competitions. Her work has been exhibited since 1987 in prestigious galleries such as Galeries Jean, Keller, and Génie de la Bastille in Paris, as well as cultural centers, fairs, and museums, including the Institut du Monde Arabe, the Brunoy Museum, and the Museum of Damascus. Notable public commissions include a 350 m² painted environment for Lycée Hugues-Capet in Senlis (1992) and a monumental 10m × 2m painting on the abolition of slavery for the city of Évry (1998), later donated to the Téléthon.
Congiu's international reach began in 1995, with exhibitions in cities including Moscow, Seoul, Hong Kong, Alexandria, Genoa, Chicago, and Vienna. Her collaborative work with playwright and director Luc Fritsch brought her artistic vision into theatrical productions, where she created pictorial environments and performed leading roles.
A significant commission from the Art Dialogue Foundation in 2004 led to her creation of Histoire d'une ligne, a series of ten monumental canvases purchased by the city of Yerres. In 2014, she produced artwork for Cosmophonies, a performance by Hubert Reeves at the Théâtre des Bouffes du Nord during the Festival Jazz Nomades.
Her theoretical contributions, published in academic journals, explore her concept of "Abstract Figures," distinguishing her style from traditional lyrical abstraction. Her gestural yet geometric "Figures of thought" overlay signs and symbols, offering a layered and intellectual depth to her canvases. Through her diverse body of work, Congiu continues to challenge and expand the boundaries of contemporary art.
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Nationality:
FRANCE
- Date of birth : 1953
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
