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Série " CLOSE UP"-Hedy Lamarr- (2022) Printmaking by Yann Hervis
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
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Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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| 1492 px | ||
|
1500 px |
| Dimensions of the file (px) | 1492x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
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Art image bank-
Original Artwork (One Of A Kind)
Printmaking,
Wood
/
Xylography
on Wood
- Dimensions Height 39.4in, Width 39.4in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Printmaking under $20,000 Figurative
First woodcut in a series devoted to exceptional women.
L’idée de mes matrices en bois gravés est née, il y a trente-cinq ans, dans l’imprimerie de Jean-Jacques Sergent à Cléry-Saint-André. J’étais alors tombé en admiration devant des matrices en cuivre destinées à l’impression. Ces matrices posées à même le sol devaient être rayées ou percées afin d'interdire toute nouvelle exploitation. L’idée m’est alors venue de réaliser mes propres matrices, devenant "œuvres" à part entière, et ce en utilisant le bois, matière que je connais bien et qui fait référence à la forme d’impression la plus ancienne, annonçant l’imprimerie.
The idea of my engraved wooden matrices was born thirty-five years ago in the printing press of Jean-Jacques Sergent in Cléry-Saint-André. At that time, I was in awe of copper dies for printing. These matrices laid on the ground had to be scratched or drilled in order to prohibit any new exploitation. The idea then came to me to make my own matrices, becoming "works" in their own right, using wood, a material I know well and which refers to the oldest form of printing, announcing the printing press.
Related themes
Yann Hervis is a contemporary French artist renowned for his innovative approach to marquetry and his unique artistic techniques. Coming from a lineage steeped in woodcraft, Hervis's artistic journey is deeply rooted in his family's tradition. He trained as a designer at the Orleans School of Art under the guidance of painter Roger Toulouse, initially focusing on design before later embracing marquetry as his primary medium. Since 1983, Hervis has exhibited his work in major cities around the world, including Paris, New York, Chicago, Milan, Tokyo, and Singapore, and his creations are highly sought after by architects and galleries.
In a significant shift in his artistic journey, Hervis moved away from traditional marquetry to develop a new technique he calls "palimpsests," which is based on the concept of "metamorphoses." This innovative approach showcases his ability to redefine his creative expression and invent a new artistic vocabulary. Hervis's work is featured in many private and public collections both in France and internationally. His art has been selected and purchased by the National Contemporary Art Fund for the permanent collection of the Museum of Decorative Arts in Paris and has also been acquired by the Ministry of Foreign Affairs. Some of his notable projects include creating frescoes and screens for the French embassy in Montevideo, a portrait of Yves Saint Laurent for his showroom in Chicago, frescoes for the MSD Chibret laboratory in Paris, 13 screens for the international conference room at the Champs Elysées in Paris, a screen for the French Consulate in Rio de Janeiro, two screens for Hollywood Studios (Modern Props) in Los Angeles, a large fresco for J.C. Will Associates in Singapore, screens for the Foreign Office in Paris, and tableaux for the French embassy in Tokyo during the G7 summit in 1993. Through these works, Hervis has made a lasting impact on the world of contemporary art, blending tradition with innovation to create timeless pieces.
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Nationality:
FRANCE
- Date of birth : 1956
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
