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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1125 px | ||
|
1500 px |
| Dimensions of the file (px) | 1125x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Collages,
Collages
on Wood
- Dimensions Height 11.8in, Width 9.1in
- Framing This artwork is not framed
- Categories Figurative
Related themes
Geboren 1951 in einer lauschigen Ecke Deutschlands. Windeln und Laufstall schon bald entflohen. Auf dem Dreirad dann frühe Erfahrungen mit schier grenzenloser Freiheit. Erste erfolgreiche Kämpfe als Indianer gegen die Cowboys der Gegend.
Dann zwölf Jahre lang Wissen angehäuft, das andere für mich ausgesucht hatten. Auf dem nun fremdgefüllten Kopf wurde die Indianerfeder ungefragt von einem Stahlhelm geknickt, der hölzerne Tomahawk durch echtes Mordwerkzeug ersetzt.
Dieser engen Welt aus olivgrüner Einheitskleidung und kaltem Stahl folgte endlich die weite, freie und farbmächtige Welt der Kunst.
Von 1972 bis 1976 Studium an der Bodensee-Kunsthochschule Konstanz bei den Professoren Paul Dietrich (Grafik-Design), Markus Hoffman (Typographie und Drucktechnik), Gretel Dietrich-Schopen (Komposition), Horst Schwaiger (Kunstgeschichte, Architektur und Perspektive) Walther Mathysiak (freie Malerei) und Heinz Finke (Fotografie).
Durch die Vielseitigkeit meiner Ausbildung habe ich das Glück, zwei Leben genießen zu können: als freischaffender Künstler und als selbständiger Grafik-Designer.
In beiden Leben bin ich mit derselben wunderbaren Frau überaus glücklich verheiratet.
In 1951 I was born in a snug area of Germany. Soon I learned to escape nappies and my playpen. On a tricyle I had early experiences of almost unlimited freedom. First successful fights as a redskin fought against cowboys from the neighbourhood.
Then twelve long years of accumulated knowledge, chosen by others. After that the redskin feather on my stuffed and alienated head got broken by a steel helmet, without my permission. The wooden tomahawk got replaced by a real murder weapon.
Finally, after that narrow world of olive-green uniform and cold steel the vast, unfettered and colourful world of art followed.
From 1972 to 1976 studied art at the Bodensee-Kunsthochschule Constance, under Professor Paul Dietrich (graphic design), Professor Markus Hoffman (typography and print technology), Professor Gretel Dietrich-Schopen (composition), Professor Horst Schwaiger (art history, architecture and perspective), Professor Walther Mathysiak (fine art) and Professor Heinz Finke (photography).
Thanks to my broad education I am fortunate enough to be able to enjoy two lives now: one as a freelance artist and the other as an independent graphic designer.
In both lives I am most happily married to the same wonderful wife.
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Nationality:
GERMANY
- Date of birth : 1951
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary German Artists
