Un salon de poubelle - croquis nº3 (2025) Drawing by Coline Montagne

Pencil on Paper, 5.9x3.9 in
$162.89
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Fine art paper, 12x8 in

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Ready to hang
  • Original Artwork (One Of A Kind) Drawing, Pencil / Graphite on Paper
  • Dimensions Height 5.9in, Width 3.9in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Drawings under $500 Conceptual Art City
About this artwork: Classification, Techniques & Styles. Graphite. Black and white drawing made with a pencil, an instrument made of a small wooden stick used as a sheath for a graphite mine of the same length. Technic Drawing. Drawing is a technique of visual representation on a flat support. The term "drawing" designates both the action of drawing, [...]

Related themes

CoiffureInstallationPerformanceAcceuilHotesse

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Coline Montagne (née vers 1989, dans une friteuse) a vécu une enfance heureuse avant de se tourner vers l’art. Ancienne championne de natation, ses jambes sont un jour restées dans la mer du Nord alors qu'elle [...]

Coline Montagne (née vers 1989, dans une friteuse) a vécu une enfance heureuse avant de se tourner vers l’art. Ancienne championne de natation, ses jambes sont un jour restées dans la mer du Nord alors qu'elle y était partie pour tremper ses frites. Depuis, elle se plonge dans une exploration de la durée pure.

Enfant, elle déclara lors de sa première conférence, avoir été marquée par les apparitions furtives du "capitaine Poivret" qui imitait le phare d'Alexandrie lorsque la mer était basse. Figure bien connue dans le village, il aurait accepté - à la demande de Coline - de devenir son grand-père alors qu'il ne parlait pas un mot de français, à la veille de sa mort tragique.

Après des années à travailler avec des sauces belges, c’est un couple de collectionneuses et amies — Jeanne et Marthe Colza — qui lui fait découvrir la peinture à l’huile, alors qu’elle prenait un bain brûlant : ce fut une révélation.

Elle retourne de temps en temps sur la côte pour observer ses jambes devenir champagne sous l’eau, cherchant dans ce bruissement le secret de son art.

Coline peint très peu — quelques minutes par saison — mais renouvelle systématiquement son huile. Le peu qu’elle peint, elle le fait en se posant toujours la même question : “Que va-t-on découvrir maintenant ?”

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