"VESTIGE"- 117x20x40 cm (2002) Sculpture by Claude Duvauchelle

Sculpture - Wood, 46.1x7.9 in
$4,451.8
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 10 collections
  • Original Artwork (One Of A Kind) Sculpture, Wood / Clay / Wire / Polymer clay on Wood
  • Dimensions Height 46.1in, Width 7.9in / 12.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Figurative
Sculpture d'assemblages de la série "Vestiges du Futur Antérieur". Crâne humain bicéphale (sorte de Janus) suggérant le mouvement, mis en situation sur une pièce de bois flotté. Œuvre réalisée avec divers matériaux: Le double crâne est constitué d'une pâte (sorte de résine épaisse) de ma fabrication posée sur une structure en grillage et fils de fer [...]
Sculpture d'assemblages de la série "Vestiges du Futur Antérieur".
Crâne humain bicéphale (sorte de Janus) suggérant le mouvement, mis en situation sur une pièce de bois flotté.
Œuvre réalisée avec divers matériaux: Le double crâne est constitué d'une pâte (sorte de résine épaisse) de ma fabrication posée sur une structure en grillage et fils de fer dans laquelle j'ai ajouté des bandes de tissus, de la fillasse et bien d'autres éléments encore.
Le reste de la sculpture est constitué de bois, de métal, de tissus et ficelles.

Related themes

Sculpture ContemporaineExpressionnismeVestiges ArchéologiquesAssemblageCrâne

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Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of inspiration, enabling him to express [...]

Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of inspiration, enabling him to express the deep emotions, anxieties, and hopes of modern humanity. Through his art, Duvauchelle explores the alienation and struggles brought on by the violence of modern civilization, portraying humanity as regressing to a primal state, enslaved by its most destructive instincts.

Duvauchelle’s creative process is marked by a continuous evolution of techniques and themes, which allows him to avoid repetition and keep his work fresh. His early influences include the Quattrocento painters, particularly Mantegna’s "Dead Christ," where he was drawn to the dramatic interplay of light and shadow, martyrdom, and crucifixions. Géricault’s romanticism and the tragic body also left a significant imprint on his artistic journey, adding layers of sublimation to his tragic depictions.

In his recent works, Duvauchelle translates these classical inspirations into a modern context. He aims to illustrate the downfall of today’s world, capturing the alienation and evil rooted in both societal and individual violence. His allegorical representations speak to the universal human condition, reflecting the programmed decay of contemporary civilization.


The Artist was highlighted in an article in ArtMajeur Magazine:

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On Request

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