Architecture Imaginaire (Double vue) II (2022) Drawing by Claude Duvauchelle

Ballpoint pen on Paper, 15.4x11.4 in
$570.96
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This artwork is framed
This artwork appears in 6 collections
  • Original Artwork (One Of A Kind) Drawing, Ballpoint pen on Paper
  • Dimensions 20.5x16.5 in
    Dimensions of the work alone, without framing: Height 15.4in, Width 11.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $1,000 Figurative Architecture
Cette architecture imaginaire est composée de deux dessins, représentant chacun une architecture différente. Je les ai assemblés, à l'aide de scotch, sur un papier épais, en faisant coïncider des lignes et perspectives, afin de générer une vision neuve, autre, surprenante et malgré tout, cohérente de mes dessins. Le résultat est cette improbable[...]
Cette architecture imaginaire est composée de deux dessins, représentant chacun une architecture différente. Je les ai assemblés, à l'aide de scotch, sur un papier épais, en faisant coïncider des lignes et perspectives, afin de générer une vision neuve, autre, surprenante et malgré tout, cohérente de mes dessins.
Le résultat est cette improbable vue d'une architecture déséquilibrée.
Par cette technique de travail (l'assemblage de deux ou plusieurs fragments de dessins), je cherche à générer une surprise, d'abord pour moi et ensuite je l'espère pour le spectateur. Elle me permet également d'être, en plus du concepteur de l'œuvre, le spectateur de mon propre travail.
De plus, en assemblant un dessin assez abouti et un second à peine ébauché, le jeu des nuances d'élaboration et de caractère, me permet d'obtenir un équilibre graphique et de composition assez satisfaisant.

Ces deux dessins imaginaires ont été réalisés entièrement au stylo bille.

This imaginary architecture is made up of two drawings, each representing a different architecture. I assembled them, using tape, on thick paper, making lines and perspectives coincide, in order to generate a new, different, surprising and despite everything, coherent vision of my drawings. The result is this improbable view of an unbalanced architecture. Through this work technique (the assembly of two or more fragments of drawings), I seek to generate a surprise, first for myself and then, I hope, for the viewer. It also allows me to be, in addition to the designer of the work, the spectator of my own work. Moreover, by assembling a fairly accomplished drawing and a second one barely sketched out, the interplay of nuances of elaboration and character, allows me to obtain a fairly satisfactory graphic and compositional balance.
These two imaginary drawings were made entirely in ballpoint pen.

Related themes

ArchitectureImaginaireDessinStylo

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Claude Duvauchelle is a contemporary French artist. For the past two decades, he has been fascinated by the human body. It is an endless source of inspiration for him, allowing[...]

Claude Duvauchelle is a contemporary French artist. For the past two decades, he has been fascinated by the human body. It is an endless source of inspiration for him, allowing him to express the emotions, anxieties, and hopes of modern man. He attempts to depict the problems and alienation caused by modern civilization's violence. Duvauchelle represents a humanity turned to its original bestiality, slave to its most destructive inclinations, constantly changing the techniques and content to avoid redundancy.

Claude Duvauchelle was born in 1953, in France. His works were shown in solo and group exhibitions all over France.


The Artist was highlighted in an article in Artmajeur Magazine:

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