"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1500 px | ||
|
750 px |
| Dimensions of the file (px) | 1500x750 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Impressionism Tree
La branche d’amandier
De l’amandier tige fleurie,
Symbole, hélas! de la beauté,
Comme toi, la fleur de la vie
Fleurit et tombe avant l’été.
Qu’on la néglige ou qu’on la cueille,
De nos fronts, des mains de l’Amour,
Elle s’échappe feuille à feuille,
Comme nos plaisirs jour à jour!
Savourons ces courtes délices;
Disputons-les même au zéphyr,
Epuisons les riants calices
De ces parfums qui vont mourir.
Souvent la beauté fugitive
Ressemble à la fleur du matin,
Qui, du front glacé du convive,
Tombe avant l’heure du festin.
Un jour tombe, un autre se lève;
Le printemps va s’évanouir;
Chaque fleur que le vent enlève
Nous dit : Hâtez-vous de jouir.
Et, puisqu’il faut qu’elles périssent,
Qu’elles périssent sans retour!
Que ces roses ne se flétrissent
Que sous les lèvres de l’amour!
Alphonse de Lamartine, Nouvelles méditations poétiques
Related themes
Claude Conte felt very early the need to create and the taste for pictorial works. In 1977, to satisfy her desire for knowledge in this field, she entered the doors of the School of Plastic Arts in Narbonne, where she took classes from 1978 to 1986 under the watchful eye of two artists: William Moulin and Roland Gril. She will gradually try different techniques: watercolor, charcoal, red chalk, acrylic paint, and take pleasure in painting or drawing various subjects: still lifes, in situ landscapes, people, portraits.
It is in prestigious museums that she recharges her batteries and nourishes her imagination by contemplating Chagall or Monet's water lilies. Allowing yourself to be carried away by Matisse's dance or wondering about Magritte's imagination is exhilarating, as is investing in the worlds of Andy Warhol or Lichtenstein. Locally, she visits the hamlet of the lake in Sigean, the vacuum cleaner in Narbonne and the exhibitions of regional artists.
She will take part in the creation of an Arts Festival in Coursan which will enliven the city from 1994 to 1997, then in the life of the Aux Z'Arts association in this same city from 2002 to 2004.
At the beginning, his artistic career was exclusively focused on watercolors: “nature Morte aux Eschsoltzias” was his first work. Then, she will work on the oil paint thickly, with a spatula, and “musicians” will be born, an example of this experience. She created “breathe” in calligraphy then discovered digital art and it was a new joy. The latter puts within its reach a disproportionate range of tools to wander towards unknown horizons, to feel and offer new emotions.
In 2020, she does not abandon digital arts but takes up her brushes as well as acrylic or oil, to paint flowers and musicians. She sees digital art as a possibility of giving another dimension to the works she creates.
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Nationality:
FRANCE
- Date of birth : 1955
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Contemporary French Artists
