Eclats de vie (2022) Painting by Claude Conte

Not For Sale

Seller Claude Conte

Fine art paper, 8x8 in

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  1497 px  

1500 px
Dimensions of the file (px) 1497x1500
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Right of reselling No
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Art image bank
  • Original Artwork (One Of A Kind) Painting, Acrylic on Linen Canvas
  • Dimensions Height 15.8in, Width 15.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Abstract Abstract
En réalisant cette toile, je souhaitais peindre des fleurs abstraites avec une grande rigueur et beaucoup de liberté. La rigueur se trouve dans le choix du camaïeu de couleur: du rouge très foncé au rose très pâle et de l'utilisation du gris, du blanc et du noir. La liberté et le hasard se retrouvent dans les projections avec des rencontres fortuites [...]
En réalisant cette toile, je souhaitais peindre des fleurs abstraites avec une grande rigueur et beaucoup de liberté. La rigueur se trouve dans le choix du camaïeu de couleur: du rouge très foncé au rose très pâle et de l'utilisation du gris, du blanc et du noir .
La liberté et le hasard se retrouvent dans les projections avec des rencontres fortuites de couleurs.

Pour accompagner le tableau cette poésie de Catherine Réault-Crosnier

FOURMILLEMENT DE PETALES
Comme des fourmis
Les corolles s'étalent
Dans l'espace de lumière

Elles travaillent
A la réalisation
De la création d'un univers

Comme un duvet
Elles frôlent les éléments
Ou se mêlent à la poussière

Les pétales sont comme des flammes,
Union du ciel et de la terre,
Paroles qui s'envolent au soleil couchant.

Related themes

FleursAbstraitesGrisRougeRose

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Claude Conte felt very early the need to create and the taste for pictorial works. In 1977, to satisfy her desire for knowledge in this field, she entered the doors of the School of Plastic Arts in Narbonne, where [...]

Claude Conte felt very early the need to create and the taste for pictorial works. In 1977, to satisfy her desire for knowledge in this field, she entered the doors of the School of Plastic Arts in Narbonne, where she took classes from 1978 to 1986 under the watchful eye of two artists: William Moulin and Roland Gril. She will gradually try different techniques: watercolor, charcoal, red chalk, acrylic paint, and take pleasure in painting or drawing various subjects: still lifes, in situ landscapes, people, portraits.

It is in prestigious museums that she recharges her batteries and nourishes her imagination by contemplating Chagall or Monet's water lilies. Allowing yourself to be carried away by Matisse's dance or wondering about Magritte's imagination is exhilarating, as is investing in the worlds of Andy Warhol or Lichtenstein. Locally, she visits the hamlet of the lake in Sigean, the vacuum cleaner in Narbonne and the exhibitions of regional artists.

She will take part in the creation of an Arts Festival in Coursan which will enliven the city from 1994 to 1997, then in the life of the Aux Z'Arts association in this same city from 2002 to 2004.

At the beginning, his artistic career was exclusively focused on watercolors: “nature Morte aux Eschsoltzias” was his first work. Then, she will work on the oil paint thickly, with a spatula, and “musicians” will be born, an example of this experience. She created “breathe” in calligraphy then discovered digital art and it was a new joy. The latter puts within its reach a disproportionate range of tools to wander towards unknown horizons, to feel and offer new emotions.

In 2020, she does not abandon digital arts but takes up her brushes as well as acrylic or oil, to paint flowers and musicians. She sees digital art as a possibility of giving another dimension to the works she creates.

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Not For Sale

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