Sous mon sein la grenade (2019) Painting by Claire Fuvelle

Acrylic on Aluminium, 15.8x11.8 in
$384.35
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Fine art paper, 11x8 in

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Aluminium
  • Original Artwork (One Of A Kind) Painting, Acrylic on Aluminium
  • Dimensions Height 15.8in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Abstract Abstract
En ce mois d’Octobre Rose… Une œuvre qui se focalise sur le cancer du sein et la détonation qu’il produit aussi bien sur le corps que dans l’esprit. Violence, résignation, frustration, colère… un mélange de beaucoup d’émotions. Claire Fuvelle About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with [...]
En ce mois d’Octobre Rose… Une œuvre qui se focalise sur le cancer du sein et la détonation qu’il produit aussi bien sur le corps que dans l’esprit. Violence, résignation, frustration, colère… un mélange de beaucoup d’émotions. Claire Fuvelle

Related themes

AbstraitModerneOctobre RoseCancerSein

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Claire Fuvelle est une artiste peintre plasticienne autodidacte qui vit et habite actuellement en France à Paris. Née en 1981 à Saint Etienne (France) elle s’intéresse à la peinture assez tardivement. Elle commence [...]

Claire Fuvelle est une artiste peintre plasticienne autodidacte qui vit et habite actuellement en France à Paris. Née en 1981 à Saint Etienne (France) elle s’intéresse à la peinture assez tardivement.

Elle commence à peindre pour répondre à un besoin primaire presque vital d’expression personnelle. La peinture lui apparait comme un outil cathartique visant à permettre la transformation des émotions en geste et en action. Sa peinture est donc tout d’abord totalement intuitive et gestuelle. La peinture abstraite se prête totalement à cette vision de l’art et est parfois vécu comme une thérapie et une reconstruction. Un moyen de se reconnecter à son propre corps et à ses désirs, un moyen d’accéder à son inconscient et de libérer ses pulsions créatrices.

Une citation de Marguerite Duras a été fondatrice dans son approche de la peinture “Ecrire, c'est aussi ne pas parler. C'est se taire. C'est hurler sans bruit”. L’adaptation à la peinture lui apparut alors comme une évidence voire comme une véritable révélation : “Peindre c’est hurler sans bruit”.

Les œuvres réelles créées à partir de différents support (papier, carton, toile, matériaux plastiques, collages, techniques mixtes) lui servent ensuite de support pour la création de nouvelles œuvres, numériques cette fois. Cette technique lui permet de donner de la voie à ses œuvres en s’exprimant sur des sujets qui lui tiennent à cœur comme la condition féminine, l’écologie et la protection du vivant en questionnant nos modes de vie, nos modes de consommation et nos interactions sociales.

Inspirée par la vie de tous les jours elle puise son inspiration dans le quotidien en se concentrant sur le ressenti qu’elle souhaite transmettre à travers des couleurs vives et des contrastes puissants.

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