Dynamic Abstraction in Red and Black (2025) Digital Arts by Chun Yu Guan

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  1071 px  

1500 px
Dimensions of the file (px) 1071x1500
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Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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Art image bank
  • Original Artwork Digital Arts, AI generated image
  • Dimensions Height 60.9in, Width 85.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Abstract Fantasy
The painting draws inspiration from the interplay of geometric shapes and vibrant colors, reflecting a modernist approach to abstraction. The use of red and black creates a striking contrast, evoking a sense of movement and energy within a structured composition. This piece embodies the artist's exploration of form and color to convey dynamic motion [...]
The painting draws inspiration from the interplay of geometric shapes and vibrant colors, reflecting a modernist approach to abstraction. The use of red and black creates a striking contrast, evoking a sense of movement and energy within a structured composition. This piece embodies the artist's exploration of form and color to convey dynamic motion and emotional depth.

Related themes

AbstractionGeometric ShapesModernismRedBlack

Automatically translated
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It emphasizes breaking through the conventional logical framework and achieving cognitive transition through the interweaving of intuitive perception and rational cognition, which echoes the aesthetic characteristics [...]

It emphasizes breaking through the conventional logical framework and achieving cognitive transition through the interweaving of intuitive perception and rational cognition, which echoes the aesthetic characteristics of "instantaneity" and "contingency" in artistic creation.

It includes both the inheritance of traditional techniques and cultural genes (known) and the creative transformation of the spirit of the times (unknown), just as Liu Haisu integrated Chinese and Western painting theories in his splash-color creations.

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