Ponente (2025) Collages by Chiara De Zan

Not For Sale

Seller Chiara De Zan

Fine art paper, 8x8 in

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  1500 px  

1500 px
Dimensions of the file (px) 1500x1500
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Use on multi-support Yes
Use on any type of media Yes
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The work imposes itself with an extraordinary visual energy, dominated by a powerful color palette that plays with shades of red and brown. The pictorial surface is marked by material overlays that evoke a sense of temporal and narrative stratification: fragments of paper and fabric emerge from the composition, suggesting a lived, almost archaeological [...]
The work imposes itself with an extraordinary visual energy, dominated by a powerful color palette that plays with shades of red and brown. The pictorial surface is marked by material overlays that evoke a sense of temporal and narrative stratification: fragments of paper and fabric emerge from the composition, suggesting a lived, almost archaeological story.

The choice of texture and the collage element gives the painting a three-dimensional character, in which the pictorial gesture dialogues with the added materials, creating a balance between chaos and structure. The division of the pictorial space into horizontal bands reinforces the tension between staticity and movement, inviting the observer to a visual exploration that goes beyond simple contemplation.

The work appears as a fragment of tangible memory, a visual story that manifests itself through signs, colors and shapes, creating an immersive experience that oscillates between the abstract and the concrete, between the lived and the ephemeral. A creation that is not limited to being observed, but induces the viewer to decipher its secrets and to be involved in its poetic narration.

Related themes

Mixed MediaCollageArtPaperAbstract

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Chiara De Zan (1987, Friuli Venezia Giulia) began her artistic journey in 2009, developing a research that crosses collage, painting, photography and digital arts with a material and poetic approach. Her practice [...]

Chiara De Zan (1987, Friuli Venezia Giulia) began her artistic journey in 2009, developing a research that crosses collage, painting, photography and digital arts with a material and poetic approach. Her practice is based on the use of marginal and waste materials — worn paper, damaged fabrics, natural pigments — recomposed in compositions that investigate memory, the body, fragility and the territory.
Since 2018 she has participated in group and solo exhibitions, collaborations and interdisciplinary projects, proposing works in which the analogical gesture dialogues with sensorial perception, returning narratives full of silence, waiting and transformation.
Among her most significant works are Giallo Pigro, Cavalco la Maladia, Nonno Santo and Madame Snips, works in which the tactile, visual and digital dimensions merge to tell stories of resistance and hidden beauty.
Lives and works in Italy. Instagram: cdz.an

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