"Hector Berlioz. La Damnation de Faust", page de titre (2010) Painting by Serge Chamchinov

Seller Serge Chamchinov

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Livre peint intitulé "Hector Berlioz. La Damnation de Faust" (2010). Cette oeuvre est une improvisation graphique originale de Serge Chamchinov sur la partition d’Hector Berlioz "La Damnation de Faust". Il contient huit folios au format de 38x51cm, avec quatre peintures originales, mises sous la couverture souple (couleur de tabac foncé) portant le [...]
Livre peint intitulé "Hector Berlioz. La Damnation de Faust" (2010)
Cette oeuvre est une improvisation graphique originale de Serge Chamchinov sur la partition d’Hector Berlioz "La Damnation de Faust". Il contient huit folios au format de 38x51cm, avec quatre peintures originales, mises sous la couverture souple (couleur de tabac foncé) portant le titre manuscrit : Hector Berlioz. La partition d’Hector Berlioz "La Damnation de Faust" est présentée en quatre pages, avec des compositions en formes de « musique en mouvement ». Le texte "Chanson de la puce" de J.-W. Goethe traduit par Gérard de Nerval est réalisé par une scription à la plume sur une page. Technique utilisé : encre de Chine (noire) et pastel à l’huile (blanche). Papier : Fabriano 250g/m² (pour les folios) et Himalaya 90g/m² (pour la couverture). Créé en exemplaire unique, ce livre a fait l'objet de vente auprès du Musée des lettres et manuscrits - Aristophil (Paris) en 2011.

Expositions:
1/,2/ "Six siècles d'art du livre/ de l'incunable au livre d'artiste" (Paris, Bruxelles, 2012, 2013).
3/ "Les livres d'artiste de Serge Chamchinov", Médiathèque de l'ENSBA (Ecole nationale supérieure des Beaux-Arts, Paris), novembre 2018.

Références:
1) P. Fulacher, "Six siècle de l’art du livre / De l’incunable au livre d’artiste", éd.Citadelle & Mazenot, Musée des lettres et manuscrits, Paris, 2012, pp.286-287.
2) P. Fulacher, « Editions Serge Chamchinov : Livres de création », dans le Magazine du patrimoine écrit Plume, n°59, 2011, p.83.
3) S. Chamchinov, "Dr. Faustus: Opus n°24", Laboratoire du livre d'artiste (section « Mythe »), 2013.
4) S. Chamchinov, "Goethe. Auerbachs Keller in Leipzig", coll. Fête des fous, 2014.
5) Revue critique du livre d'artiste "Ligature", n°10, 2016.

N.B.
Toutes les demandes d’autorisation concernant la production, la reproduction, la représentation, la traduction d’œuvres de Serge Chamchinov [Schamschinoff] ou, de façon plus générale, l’utilisation de son nom, doivent être adressées à l’artiste.
Tous droits de reproduction et de présentations sont réservés à l'artiste (art. L. 122-2 et L. 122-3 du CPI).

Related themes

Livre D'artisteChamchinovBerliozFaust

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. Serge Chamchinov is a contemporary French-Russian artist renowned for his work in the fields of painting, sculpture, and book art. He was born in Russia and later moved to France, where his artistic career flourished. [...]

Serge Chamchinov is a contemporary French-Russian artist renowned for his work in the fields of painting, sculpture, and book art. He was born in Russia and later moved to France, where his artistic career flourished. Chamchinov’s work is often characterized by a blend of abstract and figurative elements, exploring themes of human existence, memory, and time.

One of Chamchinov’s most innovative contributions to the art world is his development of the concept of "artists' books," which are not simply illustrated texts but rather unique, hand-crafted works that merge literature and visual art. He has created several of these books, which are highly regarded in the art community for their meticulous craftsmanship and creativity. His "artists' books" serve as a platform where he experiments with various forms of printmaking, painting, and sculpture.

Throughout his career, Chamchinov has held numerous exhibitions in prestigious galleries and museums across Europe, showcasing both his individual artworks and his collaborative projects. His work reflects his deep understanding of different artistic techniques, which he combines to create a distinct and thought-provoking visual language.

The Artist was highlighted in an article in ArtMajeur Magazine:

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