Les filles du sable #2 (2022) Photography by Caroline Nadia Brun

Fine art paper, 8x12 in

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  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Land Art Beach
Cette série "Les filles du sable" est comme une ode à la jeune féminité qui explore, creuse, cherche, joue, court en interaction avec le sable. Le sable, cet élément preuve du passage du temps, de l'érosion, de la transformation de la matière et également symbole d'une nature précieuse actuellement menacée par l'activité humaine. Les filles du sable [...]
Cette série "Les filles du sable" est comme une ode à la jeune féminité qui explore, creuse, cherche, joue, court en interaction avec le sable.
Le sable, cet élément preuve du passage du temps, de l'érosion, de la transformation de la matière et également symbole d'une nature précieuse actuellement menacée par l'activité humaine.
Les filles du sable font une place à la fillette future femme qui considère les traces et vit intensément un temps de présence à elle même et à la nature.

Related themes

EnfantSableFilleNoir Et BlancPhotographie

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Caroline Nadia BRUN was born in the north of France. After studying human sciences, she worked as a clinical psychologist at the Bordeaux psychiatric hospital and then in medico-social structures. She has always [...]

Caroline Nadia BRUN was born in the north of France. After studying human sciences, she worked as a clinical psychologist at the Bordeaux psychiatric hospital and then in medico-social structures. She has always made her clinical practice and her artistic practice coexist by creating methods of therapy through art.

She practices music, drawing and painting, and it is through photography that Caroline Nadia BRUN tames the right tone of her artistic expression, after having followed the Fine Arts courses in Bordeaux for 2 years in the photo section.

By the portrait, the montages, the capture of rural and urban landscapes, she tends to consider where we no longer look. His self-taught work raises the intriguing aesthetics of the banal and questions identities. Guided by this dialectic “What I see looks at me” , her photographic work invites the viewer to follow in her footsteps by in turn exercising their role as witnesses.

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Photography titled "Le 6ème jour" by Caroline Nadia Brun, Original Artwork, Digital Photography
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