J'irais voir au fond du tumulus version 3 (2024) Drawing by Catherine Hoehlinger

Pastel on Paper, 9.5x12.6 in
$273.36
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Sold by Catherine Hoehlinger

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Drawing, Pastel on Paper
  • Dimensions Height 9.5in, Width 12.6in
  • Artwork's condition The artwork is in good condition
  • Framing This artwork is not framed
  • Categories Drawings under $500 Outsider Art Abstract
La collection 2024 est réalisée papier, la technique utilisée est mixte, des empâtements, des retraits. Principalement en pastels grasses, mais également des huiles, et encres fixées et vernis. Le thème principalement est la gravure au néolithique avec toute la poésie et l'imaginaire qui s'en dégage. Une approche de couleurs vives et brutes[...]
La collection 2024 est réalisée papier, la technique utilisée est mixte, des empâtements, des retraits. Principalement en pastels grasses, mais également des huiles, et encres fixées et vernis. Le thème principalement est la gravure au néolithique avec toute la poésie et l'imaginaire qui s'en dégage. Une approche de couleurs vives et brutes pour certains et une autre approche plus douce aux teintes grises et discrètes. Des traces de pigments colorés retrouvées sur certains vestiges interrogent, le monde du néolithique était-il haut en couleur ou principalement pourvu des couleurs naturelles que l'on connaît dans les grottes ornées. Les deux approches sont intéressantes pour que chacun puisse se retrouver toucher par cette poésie ancestrale.

Related themes

NéolithiqueGrisEmpreinte

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Art brut imposed itself on me after many years of painting, moving from figurative to abstract. Despite much recognition for having received numerous commissions over several years, it is today unabashed art[...]

Art brut imposed itself on me after many years of painting, moving from figurative to abstract. Despite much recognition for having received numerous commissions over several years, it is today unabashed art brut that I devote myself to. My discovery of the work of Paul Duhem lays the foundations of my uninhibited approach to the standard and to transgression. No stake or desire to be part of an academic movement or current trend. Simply a primary and intuitive need to construct on paper and canvas my version of themes that are dear to me, the archaic messages and symbols that we find on archaeological pieces which prove the need of man to put in his life of Art, of representation, of symbols that exceed us. The search for movement and kinetization is also an integral part of my artistic approach. We find in my drawings and paintings a work on the material in which the illustration becomes an appendix, like the poetic support of an abstraction. From raw color to shades of gray, the meanders inspired by Neolithic engravings can be guessed. In the same desire that our ancestors made engravings, I try to; marks my passage as a possibly inspiring trace.

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