Paradis 1 (2010) Painting by Catherine Hélie

Sold

See more from Catherine Hélie

The artist offers works on commission

Did you miss the opportunity to buy this work? Good news: the artist can also create a custom work, just for you!

Seller Catherine Hélie

Purchase a license to use this image for your website, communications or to sell merchandise.

Download immediately upon purchase
Artists get paid their royalties for each sales
$35.00
Usage: Web Licence
Using the image on a website or on the internet.
  1230 px  

1500 px
Dimensions of the file (px) 1230x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
Download immediately upon purchase

This image is available for download with a licence: you can download them at anytime.

Restrictions

All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.

Custom licences

If your usage is not covered by our standard licences, please contact us for a custom licence.

Art image bank
Œuvres à plusieurs niveaux, ou passées par plusieurs stades. Au départ, de simples moules de plâtres mais pour de futures sculptures monumentales et publiques. Deuxième stade, reléguées entassées et laissées sans soin dans un hangar impuissant à les protéger (en partie livré aux intempéries). Photographiées encore, troisième stade, et sans autre prétexte [...]
Œuvres à plusieurs niveaux, ou passées par plusieurs stades. Au départ, de simples moules de plâtres mais pour de futures sculptures monumentales et publiques. Deuxième stade, reléguées entassées et laissées sans soin dans un hangar impuissant à les protéger (en partie livré aux intempéries). Photographiées encore, troisième stade, et sans autre prétexte d’abord que de les donner à voir telles qu’elles sont devenues (Catherine Hélie a beaucoup pratiqué la photographie de sculptures pauvres ou mineures : monuments funéraires, cariatides, etc. altérées par toutes sortes d’érosions possibles). Tirées enfin sur papier et montées sur carton (de formats variables : 30x40 cm, 50x70 cm et 100 x 70 cm) et augmentées, par elle, quatrième et dernier stade, de collages peints sur des feuilles transparentes.

Related themes

AngePhotographie RepeinteCouleurSculptures.

Automatically translated
Follow
For about thirty years, she has been working in pictorial work, mainly with paper and ink. Black and white ink from the beginning; color, more recently. Work that she preferred not to show at first, except on [...]

For about thirty years, she has been working in pictorial work, mainly with paper and ink. Black and white ink from the beginning; color, more recently. Work that she preferred not to show at first, except on the occasion of a few rare group exhibitions (Draveil, Fresnes, Courbevoie, late 90s). Which only took the form of solo exhibitions from 2003: Galerie Mantoux-Gignac (Paris), Galerie Alain Couturier (Nice), Galerie Daniel Duchoze (Rouen), Église Saint-Ouen de Longpaon. (Darnétal, “Rencontres: des lieux, des artistes, Agglomération de Rouen”). Her recent professional activity (portrait photographer of writers at Éditions Gallimard) put a temporary end to it.

She also carries out precise and concerted photographic work: striving to make “external” sculpture – sculpture considered “poor” or “minor” – altered by time and bad weather – “appear” and be seen. Funerary sculpture (the cemeteries of Paris), ornamental (the caryatids), or religious (the calvaries of Brittany), old dolls… This work only takes on meaning when related to her painting (the “figures” have common features) and to

the sculpture that she herself practices, but does not exhibit.

Catherine Hélie’s painting has given rise to a short catalogue, published by “Rencontres: des lieux, des artistes, Agglomération de Rouen”.

The work on Parisian cemeteries has given rise to several publications and studies; in the mainstream press (Télérama, etc.) as well as in specialist journals (Ligeia, special issue “Photography in vector”, analyzed by the philosopher Jean-Louis Déotte; etc.)

The photographic work of portraits of writers gives rise to countless publications.

See more from Catherine Hélie

View all artworks
Painting titled "Le paradis 1" by Catherine Hélie, Original Artwork, Acrylic
Acrylic on Cardboard | 19.7x25.6 in
$722.29
Photography titled "Oubliée 25" by Catherine Hélie, Original Artwork, Digital Photography
Photography | 11.8x11.8 in
$241.56
Textile Art titled "Textile 1" by Catherine Hélie, Original Artwork, Embroidery
Textile Art on Fabric | 19.7x16.5 in
$558.08
Textile Art titled "tissage 1" by Catherine Hélie, Original Artwork, Tapestry Mounted on Other rigid panel
Textile Art on Other substrate | 31.5x31.5 in
$1,257.76

ArtMajeur

Receive our newsletter for art lovers and collectors