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dans l'atelier de Jacqueline (2018) Drawing by Catherine Gardon
Let us know if you would like to see more photos of this artwork!
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
Original Artwork (One Of A Kind)
Drawing,
Ink
/
Pencil
on Paper
- Dimensions Height 11.8in, Width 9.8in
- Artwork's condition The artwork is in very good condition
- Framing This artwork is not framed
- Categories Drawings under $5,000
Le papier est ocre soutenu
Autodidacte, J’ai travaillé le dessin et la peinture en cours du soir évoluant grâce à l’enseignement de professeurs inspirants.
Ma technique est axée sur l’utilisation de l’acrylique et de pigments appliqués à l’aide de brosses dures.
J’aime traduire le mouvement symbole de vie et de force intérieure.
Bien souvent les sujets sont formés d’innombrables touches de peinture passées en pâte, les matériaux sont toniques : fusain, acrylique teintée aux pigments, brosses dures ou simples bouts de carton.
En 2018, j’entame une reconversion dans une fonderie d’art comme opérateur à la cire perdue, de fait la sculpture ouvre le champ, j’expérimente le bronze, le laiton et l’aluminium.
L’apport des techniques de la fonderie permet d’expérimenter la sculpture à partir de terre, de polystyrène, de toile de jute ou de cire.
-
Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
