On ne badine pas avec l’Amour (2020) Painting by Carrie Joseph Vouteau

Acrylic on Canvas, 43.3x31.5 in
$1,665.9
Shipping included

Shipping from: United States (Box or cardboard packaging)
14-day return policy
Shipping worldwide
100% secure transaction
Free Returns
Delivery by ArtMajeur: The shipping of this artwork is handled directly by ArtMajeur from pickup to final delivery to customer.
  • Packaging (Box or cardboard packaging) All artworks are shipped with a premium carrier, carefully protected and insured.
  • Tracking Order tracking until the parcel is delivered to the buyer. A tracking number will be provided so that you can follow the parcel in real-time.
  • Delay Worldwide delivery in 3 to 7 days (Estimate)
ArtMajeur guarantees you to make every effort to enable you to acquire authentic original works at the fairest price, or reimburse you in full.
  • Trackable Online Certificate of Authenticity Authenticity Certificates can be verified online at any moment by scanning the artwork code.
  • Artist Value Certification Experts study the work and career of an artist then establish an independent and reliable average price value. The average price value situates the artist on a price range for a given period. The experts may also be asked to establish a more precise estimate for a particular work.
100% secure transaction, Accepted Payment Methods: Credit Card, PayPal, Bank Transfer.
Secured direct purchase The transaction is guaranteed by ArtMajeur: the seller will get paid only once the customer has received the artwork.
100% secure payment with SSL certificate + 3D Secure.
Free Returns: 14-day return policy.
Returns Accepted 14 days ArtMajeur is 100% committed to the satisfaction of collectors: you have 14 days to return an original work. The work must be returned to the artist in perfect condition, in its original packaging. All eligible items can be returned (unless otherwise indicated).
Fine art paper, 10x8 in

Purchase a license to use this image for your website, communications or to sell merchandise.

Download immediately upon purchase
Artists get paid their royalties for each sales
$34.73
Usage: Web Licence
Using the image on a website or on the internet.
  1200 px  

1500 px
Dimensions of the file (px) 1200x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
Download immediately upon purchase

This image is available for download with a licence: you can download them at anytime.

Restrictions

All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.

Custom licences

If your usage is not covered by our standard licences, please contact us for a custom licence.

Art image bank
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 43.3in, Width 31.5in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Outsider Art
"Tous les hommes sont menteurs, inconstants, faux, bavards, hypocrites, orgueilleux et lâches, méprisables et sensuels ; toutes les femmes sont perfides, artificieuses, vaniteuses, curieuses et dépravées ; le monde n’est qu’un égout sans fond où les phoques les plus informes rampent et se tordent sur des montagnes de fange ; mais il y a au monde une [...]
"Tous les hommes sont menteurs, inconstants, faux, bavards, hypocrites, orgueilleux et lâches, méprisables et sensuels ; toutes les femmes sont perfides, artificieuses, vaniteuses, curieuses et dépravées ; le monde n’est qu’un égout sans fond où les phoques les plus informes rampent et se tordent sur des montagnes de fange ; mais il y a au monde une chose sainte et sublime, c’est l’union de deux de ces êtres si imparfaits et si affreux.

Related themes

CœurAmourCouleur

Automatically translated
Follow
Born in Paris to a Moroccan mother and a Caribbean father, Carrie Joseph VouTeau – CVT grew up between the vibrancy of Algiers, where her parents worked as cooperants, and the more austere atmosphere of Savoie. [...]

Born in Paris to a Moroccan mother and a Caribbean father, Carrie Joseph VouTeau – CVT grew up between the vibrancy of Algiers, where her parents worked as cooperants, and the more austere atmosphere of Savoie. From an early age, she found refuge in literature and the arts, setting the foundation for a life entirely devoted to creativity. After attending the Beaux-Arts, she traded paintbrushes for books, becoming a bookseller, only to return to painting later as an independent artist. Today, she makes a living through both her art and her writing.

Signing her works CVT, she is a multifaceted artist—both a painter and a writer. Her pictorial work is deeply influenced by her multicultural background and her passion for blending genres. Her characters oscillate between the unreal and the real, capturing a humanity tinged with melancholy and wonder. She draws inspiration from various influences, merging comics, manga, and classical painting to bring to life beings that do not exist but could.

Her work often takes the form of a denunciation of injustice, using painting as an engaged form of expression, where literary references come to life on the canvas. “La Vie devant soi,” “Les Fleurs du mal,” “1984”—all these texts find new meaning through her art. But CVT is also the author of a unique literary universe. She is best known for Albert le chat rose, a character she first painted before bringing to life through a book series. Her imagination also unfolds in a fantasy trilogy for readers aged 7 to 77, which has been translated into English and Italian. At the same time, she delves into deeper themes in powerful works such as “Les Maux Passants,” “Batterie Faible,” and “Qui âne me suive.” She also engages in a literary reflection on consolation, continuing the dialogue initiated by Stig Dagerman. In “Notre besoin de consolation est impossible à rassasier,” the Swedish author expressed an insatiable quest for solace. In response, CVT takes a more assertive stance in “Notre besoin de consolation était impossible à rassasier,” offering a radical and personal vision of this existential theme. Whether wielding a brush or a pen, Carrie Joseph VouTeau weaves a universe where art and literature intertwine, giving birth to works that are as visual as they are narrative, as engaged as they are imaginative.

See more from Carrie Joseph Vouteau

View all artworks
Painting titled "Kanye" by Carrie Joseph Vouteau, Original Artwork, Acrylic
Acrylic on Canvas | 19.7x15.8 in
$443.92
Painting titled "Trois Femmes Puissa…" by Carrie Joseph Vouteau, Original Artwork, Acrylic
Acrylic on Paper | 25.6x19.7 in
$687.14
Painting titled "Pourquoi m’as tu ab…" by Carrie Joseph Vouteau, Original Artwork, Acrylic
Acrylic on Canvas | 15.8x11.8 in
$349.47
Painting titled "Endommagé" by Carrie Joseph Vouteau, Original Artwork, Acrylic
Acrylic on Canvas | 15.8x11.8 in
$408.5

ArtMajeur

Receive our newsletter for art lovers and collectors