Un viale di alberi diversi XL (1989) Printmaking by Bruno Munari

Printmaking on Paper, 19.7x70.9 in
$2,061.35
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Serigrafia di Bruno Munari (Milano 1907 – Milano 1998). Se positivo negativo è un classico questo lavoro, in grandi dimensioni,è la poesia di Munari che con la sua freschezza infantile è rimasto sempre “ bambino dentro”. Tiratura 100+XXX, composta da numeri arabi e numeri romani. Edizione Studio Fornaresio, stampa free colour (Cantù) direzione artistica [...]
Serigrafia di Bruno Munari (Milano 1907 – Milano 1998).

Se positivo negativo è un classico questo lavoro, in grandi dimensioni ,è la poesia di Munari che con la sua freschezza infantile è rimasto sempre “ bambino dentro”.

Tiratura 100+XXX, composta da numeri arabi e numeri romani

Edizione Studio Fornaresio, stampa free colour (Cantù) direzione artistica Paolo Minoli.

Bruno Munari e Paolo Minoli erano molto amici , Munari si fidava di Minoli, con il quale aveva una globalità di rapporto nel quale avevano fatto entrare Mario Valente come gallerista ufficiale e Gianni Fornaresio come Editore di grandi formati e distributore esclusivo (almeno dell’ultimo periodo).

L'opera è pubblicata nel catalogo "Bruno Munari il metodo dell'invenzione" 1999 (riportato sopra).

Il numero dell’esemplare può essere diverso da quello pubblicato.

Certificato di autenticità e timbro a secco dello Studio Fornaresio.

- Direttamente dall'Editore

Related themes

Bruno MunariStudio FornaresioFuturismoArte CineticaArte Programmata

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Artist represented by Studio Fornaresio
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Bruno Munari, born on October 24, 1907, in Milan, Italy, was a versatile and influential figure in 20th-century art and design. Munari's career spanned various disciplines, including art, design, graphic design, [...]

Bruno Munari, born on October 24, 1907, in Milan, Italy, was a versatile and influential figure in 20th-century art and design. Munari's career spanned various disciplines, including art, design, graphic design, industrial design, and pedagogy, making significant contributions to each field throughout his life.

Munari initially studied art and design at the Art School of Milan and later attended the Brera Academy. His early work was influenced by the avant-garde movements of the time, including Futurism and Constructivism, which emphasized dynamism, abstraction, and the integration of art with technology and modern life.

In the 1930s, Munari became associated with the Second Futurism movement, led by Filippo Tommaso Marinetti, where he experimented with abstract and geometric forms. He also collaborated with other avant-garde artists and designers, contributing to the development of new visual languages and techniques.

During World War II, Munari's focus shifted towards practical design solutions and visual communication. He began working extensively in graphic design, creating posters, advertisements, and book covers that were characterized by their simplicity, clarity, and innovative use of typography and imagery.

After the war, Munari continued to explore the intersection of art and design, pioneering new approaches and methodologies. He became known for his playful and experimental approach to creativity, often incorporating everyday materials and found objects into his artworks and designs.

One of Munari's most notable contributions was his exploration of "design as art" and his advocacy for a more democratic approach to design. He believed that good design should be accessible to everyone and sought to integrate functionality, aesthetics, and usability in his creations.

Munari's legacy extends beyond his artistic and design achievements. He was also a prolific author and educator, writing numerous books on art, design theory, and creativity. His books, such as "Design as Art" and "Bruno Munari's ABC," remain influential texts that continue to inspire generations of designers and artists.

Throughout his career, Munari received numerous awards and honors for his contributions to art and design, including the Compasso d'Oro award, Italy's most prestigious design award, which he won multiple times.

Bruno Munari passed away on September 30, 1998, in Milan, leaving behind a rich legacy of innovative thinking, creative experimentation, and a profound impact on the fields of art, design, and education. His work continues to be celebrated and studied worldwide for its enduring relevance and visionary approach to visual communication and creativity.

The Artist was highlighted in an article in ArtMajeur Magazine:

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