Pourquoi Moi (2023) Painting by Bram De Winter

Oil on Linen Canvas, 31.5x39.4 in
$7,414.91
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Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood Stretcher frame
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions 37.8x45.7 in
    Dimensions of the work alone, without framing: Height 31.5in, Width 39.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings under $20,000 Surrealism Science
A laboratory rat, used for research without her or his consent. And at the end he is killed with Vit D3 (or Sodium azide? ). Pourqoui Moi - Why am I a victim? About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of [...]
A laboratory rat, used for research without her or his consent.
And at the end he is killed with Vit D3 (or Sodium azide? )
Pourqoui Moi - Why am I a victim ?

Related themes

Laboratory RatExperiments

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Beeldend kunstenaar sinds 1978. Bram de Winter (1955) has trained himself in the visual arts, specialising; Surrealist paintings.He does not allow himself to be inhibited by existing conventions and is always [...]

Beeldend kunstenaar sinds 1978. 

Bram de Winter (1955) has trained himself in the visual arts, specialising; Surrealist paintings.He does not allow himself to be inhibited by existing conventions and is always looking for the edges of what is possible.The result is always unique work.You can see this, for example, in the mixed-media technique that he applies to his paintings, which are traditionally executed in oil on canvas. But after 2000, most of them have incorporated small additions of another material into the composition.... even holes in the canvas. He also executes his stained-glass pieces in three-dimensional fashion, often containing 'foreign objects', if possible.His latest experiment fits in perfectly with this time where we want to use materials as sparingly as possible; in the cavity of rejected double-glazed windows, a kind of mosaic is created of remnants of colourless patterned glass and coloured cathedral glass under the titles; Kaleidoscope 1, 2, 3 etc.
In the years 2011 to '15, a series of works of art were even created with asphalt as an addition.

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