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The Paradox of The Sublime (2022) Painting by Martyna Benedyka
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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1500 px | ||
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1113 px |
Dimensions of the file (px) | 1500x1113 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 7.1in, Width 9.5in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $1,000 Figurative Everyday Life
Martyna Benedyka is a contemporary Polish artist, born in 1991, known for her multidisciplinary approach as a visual and sound artist, painter, photographer, coloratura soprano, and teacher. Her artistic practice spans a wide range of media, including painting, photography, collage, installation, video, field recording, and sound art, with a focus on themes of existence, memory, and beauty.
She holds a First Class BA with Honours Degree in Fine Art Painting from Gray’s School of Art in Scotland, UK, and has studied Voice and Performance, Opera and Oratorio, Pedagogy, and Baroque Singing at the Jāzeps Vītols Latvian Academy of Music and the George Enescu National University of Arts. Benedyka's work has been exhibited internationally in countries such as the UK, Italy, Germany, Austria, Ireland, Denmark, Poland, Czechia, Romania, Estonia, South Korea, Switzerland, Australia, Canada, and the USA. Her work was selected for the Federation of British Artists' Futures, the UK's largest annual survey of emerging contemporary figurative art at the Mall Galleries, London. In 2022, she was recognized as a winner by Futures Photography in Amsterdam, The Netherlands.
Benedyka's artistic approach is rooted in the exploration of existence and perception. She often paints fragments of objects, suggesting that partial depictions can express as much, if not more, than a complete image. She likens the unique quality of photographic prints, where no two are identical, to her painting process, emphasizing the fragility and uncertainty of memory. Her paintings, modest in scale and subject, aim to capture fleeting moments of distorted reality, transforming memories through painted surfaces.
Through her work, Benedyka examines the essence of people and objects, using the camera as a bridge between detailed representation and personal interpretation. Her artworks function as poetic fragments, encouraging viewers to slow down and appreciate the beauty of everyday life. Her process involves cumulative observation, leading to some motifs being endlessly repeated while others fade away. This diversity reflects her central artistic goal: to explore what lies beyond the visible, inviting a deeper engagement with the world around us.
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Nationality:
POLAND
- Date of birth : 1991
- Artistic domains:
- Groups: Contemporary Polish Artists