Points de vue (2012) Sculpture by Batich

Seller Batich

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Usage: Web Licence
Using the image on a website or on the internet.
  958 px  

1500 px
Dimensions of the file (px) 958x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
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  • Original Artwork Sculpture, Ceramics / Wood
  • Dimensions Height 22.1in, Width 6.3in
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Expressionism
Grès rouge et bois About this artwork: Classification, Techniques & Styles. Ceramics. Sculpture technique using as raw material a malleable Earth which can have different color then cooked to increase its solidity. Wood. Sculpture technique using wood, natural material of plant origin. Technic Sculpture. Sculpture is an artistic activity which consists [...]
Grès rouge et bois

Related themes

GrésRougeBoisArbreTête

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Faience ou grès associés au bois ou au métal, la céramique permet d' expérimenter sans préméditation dans une ambiance de chantier hybride, odeur de terre humide, de poussières, de bois et de racines qui constituent [...]

Faience ou grès associés au bois ou au métal, la céramique permet d' expérimenter sans préméditation dans une ambiance de chantier hybride, odeur de terre humide, de poussières, de bois et de racines qui constituent l' espace privilégié de l'atelier. Un lieu de méditation physique, minérale, un temps de recueillement et d'alchimie intime. Un mode de vie à l'écoute des rythmes du monde.
Les nourritures terrestres, râpeuses, rugueuses, lisses ou granuleuses alimentent la recherche d'un rapport sensible avec la matière tendre et plastique et renvoie à une géologie de l'intime à travers les sensations tactiles.
La terre, bloc de nuit opaque, donne forme, rend palpable, tangible, le vide et l'ouverture qu'il procure. Planète, jardin, matière première, nourricière mais aussi chemin sauvage, écorce, faille et tremblement.
Réminiscences animales, végétales ou minérales, l'improvisation, la joie de laisser les mains jouer, écrire des signes inconnus, la curiosité et le plaisir de la découverte guident mon travail sur des chemins de terre, à l'ombre de sous-bois que j'espère loin des sentiers battus.

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