Igitur (2011) Collages by Baptiste Vanweydeveldt

Collages on Paper, 9.5x7.1 in
$194.85
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This artwork appears in 2 collections
Ce dessin encadré scellé est fragile, une mince pellicule de suif recouvre le verre de l'encadrement, une autre strate de dessin à tendance à prendre l'empreinte de toute trace! Sous verre, un collage du Christ mort de Holbein, un détail est réitéré dans la partie supérieure, le majeur raidie par le supplice et aussi l'os le plus costaud; dans la ligne [...]
Ce dessin encadré scellé est fragile, une mince pellicule de suif recouvre le verre de l'encadrement, une autre strate de dessin à tendance à prendre l'empreinte de toute trace!

Sous verre, un collage du Christ mort de Holbein, un détail est réitéré dans la partie supérieure, le majeur raidie par le supplice et aussi l'os le plus costaud; dans la ligne droite de l'avant-bras...

"Igitur" est aussi une référence au personnage qui inspira Mallarmé dans son poème labyrinthique... "Igitur" littéralement "ici gît"...

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Baptiste VanweydeveldtBaptistevwartIgiturDessin ContemporainHolbein

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling [...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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