Beware of the cat- print 100ex numéroté&signé (2019) Digital Arts by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
Sous forme de carte dépliante en volets, imprimé en couleurs recto et verso, ce collector numéroté&signé par l'artiste Baptiste Vanweydeveldt, reprends différentes vues de l'installation "Beware of the Cat", installation/maquette réalisée en 2012 pour un appel à projet autour de la maison (cf: "Beware of the Cat" dans[...]
Sous forme de carte dépliante en volets, imprimé en couleurs recto et verso, ce collector numéroté&signé par l'artiste Baptiste Vanweydeveldt, reprends différentes vues de l'installation "Beware of the Cat", installation/maquette réalisée en 2012 pour un appel à projet autour de la maison (cf: "Beware of the Cat" dans la galerie installation)...

Ce collector fait visiter les détails de cette installation qui préfigure l'ensemble des questionnement que l'artiste aborde depuis presque 10 ans, un diagramme reprenant le schéma de sa recherche avec les définitions des environnement lié au "Domus" et la liste officiel des éléments constitutifs de la pièces...

Tirés à 100 exemplaires numérotés et signés...numéro disponible 51 à 89

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BaptistevwartBaptiste VanweydeveldtArt SingulierEstampe NumériqueTirage Limité

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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