Drawing titled "LeND-Promises writt…" by Baptiste Vanweydeveldt, Original Artwork, Graphite Mounted on Other rigid panel

LeND-Promises written on the water-2013 (2013) Drawing by Baptiste Vanweydeveldt

Not For Sale

Sold by Baptiste Vanweydeveldt

Certificate of Authenticity included

Mounted on Other rigid panel

Original Artwork Drawing, Graphite on Paper

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 17.7in, Width 21.7in
Categories Drawings under $500 Conceptual Art Architecture

Deuxième esquisse de l'installation LeND, sous-titrée : "Promises written on the water" est un dessin au crayon de bois sur deux feuilles A4 scotchées ensemble, signée et daté. Le dessin fait 29x39cm
C'est le dessin du projet produit et réalisé pour le festival Normandie Impressionniste 2013 sur la thématique de l'eau par l'association 2angles, centre de création contemporaine à Flers (61) durant l'été 2013.

Je transforme et module l'installation de base , "la rencontre fortuite d'une table de ping-pong et d'une tête de lit sur la notion de la fin d'un territoire..." et y adjoint un ensemble de petits échafaudages entre les différents module de l'installation afin de faire circuler comme des vases communicants un circuit d'eau, jouant avec les dénivelés et deux petites pompes pour aquarium ; les "gouttières" sont construites en cartons peints et scotch utilisant les variations de reliefs propres à LeND...
Le croquis diffère comme souvent de la réalisation finale, mais il pose les bases du projet à venir, une liste de matériaux de base est notifié en haut à droite, les pliures et taches sont conservés volontairement comme traces...
Un module de LeND est absent du dessin mais a été envisagé de construire deux montagnes en tissus plâtrés : partie avortée au profit du circuit d'eau , plus technique et expérimental !

Le dessin est encadré avec du bois d'ayous 45x55cm, réalisé par un professionnel avec un passe-partout et un anneau d'accroche au dos.

About this artwork: Classification, Techniques & Styles

Graphite

Black and white drawing made with a pencil, an instrument made of a small wooden stick used as a sheath for a graphite mine of the same length.

Technic Drawing

Drawing is a technique of visual representation on a flat support. The term "drawing" designates both the action of drawing, the resulting graphic work, and the shape of any object. It is also a representation on a surface of the shape (and possibly the light and shadow values) of an object or figure, rather than their color. There are a large number of drawing techniques: “Linear drawing” represents objects by their outlines, edges and some characteristic lines; beyond this limit, the drawing develops by representing the volume by shadows, often by means of hatching, incorporates colors, and joins, without clear transition, the painting.

Baptiste Vanweydeveldt

France

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.