In bloom herbier n°5-2010-2019 (2019) Drawing by Baptiste Vanweydeveldt

Collages on Paper, 14.2x11 in
$560.78
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"in Bloom" est un travail sur papier de la série Herbier, exécuté en deux temps avec presque 10ans d'ecart. Au préalable, une simple esquisse d'un origami et d'un bois sculpté, une ebauche pour une installation. Puis un rehaut avec la technique du report d'image, utilisant le visuel d'une exposition, c'est la couleur d'un concept. Un télescopage sémantique [...]
"in Bloom" est un travail sur papier de la série Herbier, exécuté en deux temps avec presque 10ans d'ecart... Au préalable, une simple esquisse d'un origami et d'un bois sculpté, une ebauche pour une installation.
Puis un rehaut avec la technique du report d'image, utilisant le visuel d'une exposition, c'est la couleur d'un concept... Un télescopage sémantique entre le pot en origami (l'édification d'un plan) vers la première céramique réalisée que je nomme "ossuaire"... Façon elliptique de dire j'ai trouvé une des reponse à ma question de 2010...

Un peu de stylo-bille pour mêler les deux plans de l'image et le Collage d'une fleur séchées que je met en rapport avec des diagrammes. D'autres questions se soulèvent... Notamment comment un dessin, aussi fragile soit-il peut impacter le monde ? D'où mon action à profiter d'une partie de la vente pour aider une association d'api culture...

Encadré dans un bois d'ayous blond et un verre anti-reflet avec un anneau d'accroche au dos, fait par un professionnel.

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BaptistevwartBaptiste VanweydeveldtHerbierIn BloomDessin Contemporain

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling [...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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