BAMAZI TALLE CLEANSING THE EARTH (2019) Painting by Bamazi Talle

Seller Bamazi Talle

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This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 3 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions 62.2x48.8 in
    Dimensions of the work alone, without framing: Height 59.8in, Width 44.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings from $20,000 Surrealism Spirituality
"CLEANSING THE EARTH" is a deep and evocative work of art that finds its place within the series of works dedicated to the Corona Virus by Master Tallé. This particular piece transcends the boundaries of art and meaning, eloquently capturing the feeling of renewal and hope at the end of the Corona Virus pandemic. The very title, "CLEANSING THE EARTH", [...]
"CLEANSING THE EARTH" is a deep and evocative work of art that finds its place within the series of works dedicated to the Corona Virus by Master Tallé. This particular piece transcends the boundaries of art and meaning, eloquently capturing the feeling of renewal and hope at the end of the Corona Virus pandemic.

The very title, "CLEANSING THE EARTH", evokes a purifying act, a rite of passage towards a new era. In this work, the artist has created a visually powerful, symbolic and surreal scene. At the heart of the composition, a calabash, representing God or a divine force, pouring blessed water (Libation) on an egg, which embodies the world itself.

This blessing scene is loaded with spiritual and metaphorical significance. Water, a symbol of purification and renewal, is used to cleanse and revitalize the world. The egg, representing the planet, is touched by this blessing, heralding a rebirth after the dark and difficult times of the pandemic.

A striking element of the work is the visual depiction of the virus moving away from the egg. This evokes the concept of eradication and cure. Viruses, which have symbolized threat and fear, recoil from the power of purification and divine blessing.

The fact that this work is considered one of the artist's strongest creations shows the depth of emotion and meaning it carries. "CLEANSING THE EARTH" transcends the boundaries of visual art by becoming a meditation on human resilience, faith and hope in difficult times.

In sum, "CLEANSING THE EARTH" is a visually poignant and symbolic representation of the end of the Corona Virus pandemic. Through a calabash blessing an egg, the artist captures the rebirth, purification and hope emerging after a period of global turbulence. A work that resonates deeply with the human experience.

"CLEANSING THE EARTH" est une œuvre d'art profonde et évocatrice qui trouve sa place au sein de la série d'œuvres dédiées au Corona Virus du Maître Tallé. Cette pièce particulière transcende les frontières de l'art et de la signification, capturant avec éloquence le sentiment de renouveau et d'espoir face à la fin de la pandémie de Corona Virus.

Le titre même, "CLEANSING THE EARTH", évoque un acte purificateur, un rite de passage vers une nouvelle ère. Dans cette œuvre, l'artiste a créé une scène visuellement puissante, symbolique et surréaliste. Au cœur de la composition, une calebasse, représentant Dieu ou une force divine, versant de l'eau bénie (Libation) sur un œuf, qui incarne le monde lui-même.

Cette scène de bénédiction est chargée de signification spirituelle et métaphorique. L'eau, symbole de purification et de renouveau, est utilisée pour nettoyer et revitaliser le monde. L'œuf, représentant la planète, est touché par cette bénédiction, annonçant une renaissance après la période sombre et difficile de la pandémie.

Un élément saisissant de l'œuvre est la représentation visuelle du virus éloignant de l'œuf. Cela évoque le concept d'éradication et de guérison. Les virus, qui ont symbolisé la menace et la peur, reculent face au pouvoir de la purification et de la bénédiction divine.

Le fait que cette œuvre soit considérée comme l'une des créations les plus fortes de l'artiste montre la profondeur de l'émotion et de la signification qu'elle porte. "CLEANSING THE EARTH" transcende les limites de l'art visuel en devenant une méditation sur la résilience humaine, la foi et l'espoir en des temps difficiles.

En somme, "CLEANSING THE EARTH" est une représentation visuellement poignante et symbolique de la fin de la pandémie de Corona Virus. À travers une calebasse bénissant un œuf, l'artiste capture la renaissance, la purification et l'espoir qui émergent après une période de turbulence mondiale. Une œuvre qui résonne profondément avec l'expérience humaine.
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. Talle Bamazi is a contemporary American painter born in Kara, Togo, West Africa. He is an artist who uses his canvas as a platform for activism. Initially self-taught, Bamazi began his artistic journey at a [...]

Talle Bamazi is a contemporary American painter born in Kara, Togo, West Africa. He is an artist who uses his canvas as a platform for activism. Initially self-taught, Bamazi began his artistic journey at a young age. Although he pursued a career in construction management in Lomé, his passion for visual art eventually led him to fully embrace his first love—painting. Through his art, Bamazi aims to share the rich stories of his homeland and dispel the misconception that Africa is primarily a violent and impoverished continent. He pays homage to his ancestors and explores the cultural ties between traditional and contemporary ideas.

In 1995, Bamazi arrived in New York with no knowledge of the English language, embarking on the most challenging adventure of his life. His quest for knowledge led him to the Art Students League of New York, where he immersed himself in American culture. This marked the beginning of his contributions to contemporary African art in America. He furthered his education at the New York Academy of Art, earning a Master's degree.

After completing his degrees, Bamazi began exhibiting his work in numerous galleries and institutions across New York City. During this time, he realized his greater ambition was to increase the visibility of African and African-American artists. This aspiration led to the establishment of the KIACA (Kabiye Impact Contemporary African Art) Gallery in 2003 in Columbus, Ohio. Through KIACA, Bamazi educates patrons on the enduring cultural gifts of Africa and serves as a talent incubator for young artists of color.

Bamazi's life and art are deeply rooted in his passion for African culture. A recurring symbol in his work is the calabash, a large, woody gourd revered in African culture for its nourishment and reliability. Beyond its practical uses, the calabash serves as a symbol of sustenance, hospitality, and fertility. Bamazi depicts the calabash floating ethereally in his paintings, embodying both simplicity and profound significance. This symbol becomes a vessel for mythological and proverbial interpretation, reflecting the rich cultural heritage of Africa in his art.

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