Nathalia Chipilova
Nathalia Chipilova discovered her vocation as an artist at a very young age. At the age of ten she began her artistic apprenticeship in a good drawing school in Moscow since her parents worked there. At nineteen, she flew to France and continued her studies at the Avignon School of Art before joining the National School of Decorative Arts in Paris. At the end of her studies, she moved to the south of France to practice her art. She exhibits regularly since 1999 and works in her studio in Fréjus opened in 2001. More than 1000 works are present in the private collections of the European Union, Switzerland, Austria, Luxembourg, Norway, United States, Canada, Brazil, Australia, Russia, Saudi Arabia…
Nat becomes one with his painting. This is not a metaphor but to be taken literally. One does not know, when one sees her working, where is the border between her and her painting. She plunges into the canvas, brush in hand, as a beaver would plunge into the water of a torrent, without worrying about eddies and water holes. It's impressive!
She has no apprehension, she doesn't think about it, about words, about evils, she thinks in painting, that is to say she articulates sensations, colors, textures, shapes with virtuosity.
Make no mistake about it, it is a great knowledge accumulated between the great schools of Art such as that of Avignon or that of the Decorative Arts in Paris, and of her life as a painter which gave her this mastery that some might take for ease, and allowed her to be entirely "at work".
When she works, nothing seems to be able to stop her or deflect her, she shows phenomenal strength, and this strength, so visible, so astonishing, commands respect, outside and even before any aesthetic result.
Her paintings are often declined in series, like a diary, the canvases articulate with each other, like the characters of a vernacular writing, intended for initiates, its sighted brothers, but on everyday subjects that everyone can relate to. appropriate. By articulating with each other, the paintings amplify, invade the space with remarkable force. The paintings do not add up, they literally multiply to constitute a meta-work. And it is in this going beyond that we can grasp the full dimension of Nat's talent, who of objects, of ordinary themes, by their rehashing and articulation goes beyond the common place of everyday life, of the object, of the life of every day, and opens us, through his signature, to the sublimation of the ordinary, which is the true end of painting.
Michel Suret-Canale, Doctor of Arts and Letters
Discover contemporary artworks by Nathalia Chipilova, browse recent artworks and buy online. Categories: contemporary french artists. Artistic domains: Painting, Drawing. Account type: Artist , member since 2001 (Country of origin France). Buy Nathalia Chipilova's latest works on ArtMajeur: Discover great art by contemporary artist Nathalia Chipilova. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
Nouveau. New. • 17 artworks
View allDécouvrez mes dernières œuvres présentées en avant première dans cette galerie.
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Sylvan Explorations • 43 artworks
View allCe travail de recherche permet une production rapide tout en approfondissant le sujet de manière exhaustive. J'y explore les contrastes, les ombres et la lumière, en jouant avec les textures et la matière. L'objectif est d'étudier la variation de la lumière et son interaction avec l'ombre dans un paysage arboré. Le jeu de la lumière à travers le feuillage accentue le mouvement et enrichit la dynamique visuelle de l’œuvre.
"Sylvan Explorations" is a series of works primarily on paper and cardboard, consisting of artistic research using acrylics, oil pastels, markers, graphite, and charcoal, in various small and medium formats. These graphic and plastic studies are aimed at creating preliminary proofs for the "Green Path of Resilience" project.
This research work allows for rapid production while thoroughly delving into the subject matter. I explore contrasts, shadows, and light, playing with textures and materials. The goal is to study the variation of light and its interaction with shadow in a wooded landscape. The play of light through the foliage accentuates movement and enriches the visual dynamics of the work.
Where Trees and Dreams Merge in Blue • 33 artworks
View allMy new series of paintings and drawings ‘Where Trees and Dreams Merge in Blue’ is a collection of artworks in a style reminiscent of Art Deco, blending vegetal stylization and fantastical elements executed in a more realistic style. I started it two years ago. Through this series, I aim to convey a magical sense of unity between the imagination and the woodland environment. The artwork becomes a portal to a mysterious world of forests with trees tinged in blue, their branches intertwining with the boundless expanse of dreams. Blue predominates. It embodies, for me, the mysterious depth of nature. The color blue evokes the movement of the sea, the infinite sky, and the serenity of the forest. Blue symbolizes dreams and imagination—essential elements to bring to life my imaginary characters and animals inspired by tales, mythologies, and legends. Dive with me into this blue world where nature takes on a midnight hue and where imagination flourishes beyond the horizon…
Symbole. Symbol. • 32 artworks
View allSigns, emblems, allegories, effigies, attributes.
Peinture du Jour. Daily Painting. • 27 artworks
View allHappiness to paint
For me, happiness is when your life fulfills your needs. Happiness is a feeling of contentment that life is just as it should be, happiness is into the simple things. Perfect happiness, enlightenment, comes when you have all of your needs satisfied. If you aren’t clear about exactly what happiness is , so, do this: close your eyes and remember the moments in your life when your body and your mind feels good . Truth comes.
Paysages urbains. Urban landscape • 52 artworks
View allPaysage. Landscape. • 66 artworks
View allMarines. Seascape • 63 artworks
View allNathalia Chipilova
Acrylic on Paper | 19.7x25.6 in
Points d’ancrage vers l’immensité. Barques. Bateaux • 50 artworks
View allLes séries "Points d’ancrage vers l’immensité", qui représente des barques et des bateaux, et "Passages vers l’Invisible", où j’explore la quête spirituelle à travers l’architecture, ont débuté en 1997. De temps à autre, je reviens vers ces séries. La période de mes 30 ans a été marquée par des événements personnels significatifs, notamment une brève mais intense dépression en 2001. Je crois que ces deux séries sont étroitement liées, car les symboles architecturaux des bâtis, qu’ils soient terrestres ou marins, résonnent avec la notion de la psychologie des profondeurs, s’apparentant à une auto-immersion, telle que l'a définie Carl Gustav Jung, disciple de Freud.
La représentation d’éléments architecturaux tels que les arcades, les porches, les escaliers, les colonnes, les couloirs, ainsi que des fenêtres et des portes, évoque un processus d’introspection. Pour les psychanalystes, ces formes symbolisent le besoin de se confronter à son inconscient pour mieux comprendre qui nous sommes vraiment.
L’imagerie des barques et des bateaux renvoie également à l’idée de voyage. Il est intéressant de noter que la forme d’une voûte architecturale et celle d’une arche de coque sont similaires. De plus, dans les églises romanes et gothiques, les ogives et les structures voûtées rappellent des coques de bateaux inversées, symboliquement conçues pour faire naviguer l’âme des croyants vers les cieux, en élevant leur esprit. La représentation des ports et des barques amarrées, immobiles, symbolise ainsi le début d’un voyage intérieur : une quête de découverte de soi.
Je tiens à préciser que cette analyse est rétrospective et que chacun peut interpréter ces œuvres à sa manière
Fleur. Plante. Flower. Plant. • 35 artworks
View allSold Artworks • 38 artworks
Nathalia Chipilova
Acrylic on Cardboard | 5.1x5.1 in
Nathalia Chipilova
Acrylic on Cardboard | 9.5x16.9 in
Nathalia Chipilova
Acrylic on Paper | 19.7x25.6 in
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Biography
Nathalia Chipilova discovered her vocation as an artist at a very young age. At the age of ten she began her artistic apprenticeship in a good drawing school in Moscow since her parents worked there. At nineteen, she flew to France and continued her studies at the Avignon School of Art before joining the National School of Decorative Arts in Paris. At the end of her studies, she moved to the south of France to practice her art. She exhibits regularly since 1999 and works in her studio in Fréjus opened in 2001. More than 1000 works are present in the private collections of the European Union, Switzerland, Austria, Luxembourg, Norway, United States, Canada, Brazil, Australia, Russia, Saudi Arabia…
Nat becomes one with his painting. This is not a metaphor but to be taken literally. One does not know, when one sees her working, where is the border between her and her painting. She plunges into the canvas, brush in hand, as a beaver would plunge into the water of a torrent, without worrying about eddies and water holes. It's impressive!
She has no apprehension, she doesn't think about it, about words, about evils, she thinks in painting, that is to say she articulates sensations, colors, textures, shapes with virtuosity.
Make no mistake about it, it is a great knowledge accumulated between the great schools of Art such as that of Avignon or that of the Decorative Arts in Paris, and of her life as a painter which gave her this mastery that some might take for ease, and allowed her to be entirely "at work".
When she works, nothing seems to be able to stop her or deflect her, she shows phenomenal strength, and this strength, so visible, so astonishing, commands respect, outside and even before any aesthetic result.
Her paintings are often declined in series, like a diary, the canvases articulate with each other, like the characters of a vernacular writing, intended for initiates, its sighted brothers, but on everyday subjects that everyone can relate to. appropriate. By articulating with each other, the paintings amplify, invade the space with remarkable force. The paintings do not add up, they literally multiply to constitute a meta-work. And it is in this going beyond that we can grasp the full dimension of Nat's talent, who of objects, of ordinary themes, by their rehashing and articulation goes beyond the common place of everyday life, of the object, of the life of every day, and opens us, through his signature, to the sublimation of the ordinary, which is the true end of painting.
Michel Suret-Canale, Doctor of Arts and Letters
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Nationality:
FRANCE
- Date of birth : 1971
- Artistic domains:
- Groups: Contemporary French Artists

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Juste la nature et les émotions simples...
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Juin-Juillet 2022. Exposition Casino des Jeux, Fréjus
Casino de Fréjus, Rue Jean Aicard, Fréjus, France
Red . Exposition Monochrome
Mairie d'honneur Les Asphodèles, Avenue de Valescure, Saint-Raphaël, France
Association culturelle Graal organise l’exposition « ReD ». Vernissage le mercredi 19 janvier de 18h30 à 20h30
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