"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
Original Artwork
Painting,
Oil
on Wood
- Dimensions Height 15.4in, Width 9.1in
- Framing This artwork is not framed
- Categories Classicism Religion
Related themes
Antonello da Messina was an Italian painter from Messina who worked during the Early Italian Renaissance. His full name was Antonello di Giovanni di Antonio, but he was also known as Antonello degli Antoni and Anthony of Messina in English. His work is heavily influenced by Early Netherlandish painting, but there is no proof that he ever went anywhere else besides Italy. Giorgio Vasari said that he was the one who brought oil painting to Italy, but this is no longer agreed upon. Even though he was a Renaissance artist from the south of Italy, his work influenced painters in the north, especially in Venice.
Antonello may have learned to paint in Rome before going to Naples, where Dutch painting was popular at the time. In Naples around 1450, Antonello was a student of the painter Niccol Colantonio, according to a letter written by the Neapolitan humanist Pietro Summonte in 1524. Most art historians agree with this account of how he learned to paint.
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Nationality:
ITALY
- Date of birth : unknown date
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary Italian Artists Artists presented by a gallery
