I Don't Jump on Command, I Command the Jump (drawing) (2019) Drawing by Anton Terziev

Pencil on Paper, 8.9x9.8 in
$699.61
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This artwork is framed
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This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Drawing, Pencil on Paper
  • Dimensions 9.1x10.2 in
    Dimensions of the work alone, without framing: Height 8.9in, Width 9.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $1,000 Figurative Kid portaits
Anton Terziev’s graphite riff I Don’t Jump on Command, I Command the Jump from the Quiet Riots series feels like a cheeky power move captured in mid‑air. With one kiddo mid‑split vaulting over the locked‑jaw helmet of a riot cop, Terziev turns a serious showdown into a moment of mischievous grace. The way the pencil glides across the paper—soft, sketch‑style [...]
Anton Terziev’s graphite riff I Don’t Jump on Command, I Command the Jump from the Quiet Riots series feels like a cheeky power move captured in mid‑air. With one kiddo mid‑split vaulting over the locked‑jaw helmet of a riot cop, Terziev turns a serious showdown into a moment of mischievous grace. The way the pencil glides across the paper—soft, sketch‑style fuzz on the hoodie, crisp metallic glint on the visor—makes you sense both elastic energy and rigid authority breathing in the same frame.

There’s an easy wink in this piece: rebellion isn’t always shouted through megaphones or brick walls. Sometimes it’s a perfectly timed leap, a silk‑smooth arc slicing through the heaviness below. Terziev’s playful balancing act—fluid lines versus hard-edged detail, carefree limbs versus locked‑down armor—asks us to read protest as an artful judo flip rather than a frontal assault. In its slack swagger, I Don’t Jump on Command, I Command the Jump reminds us that defiance can be light on its feet and heavy on impact.

Related themes

ProtestRebelRebelianResistanceKid

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Anton Terziev, a contemporary Bulgarian artist, is a master of using sharp irony as his artistic tool to engage with various contemporary subjects. His works are characterized by a profound use of iconography [...]

Anton Terziev, a contemporary Bulgarian artist, is a master of using sharp irony as his artistic tool to engage with various contemporary subjects. His works are characterized by a profound use of iconography that conveys a stark and critical imagery. In his artistic repertoire, Anton skillfully weaves together elements of stakes, skills, and storytelling, resulting in figurative contemporary art that carries a fine touch of social commentary, humor, and messages about the artist's condition.

Anton Terziev draws inspiration from two distinct sources. Firstly, his art is often born from real-life occurrences, unfolding around him in a way that sparks his creative process. Secondly, his imagination plays a pivotal role in his work, allowing him to craft vivid and thought-provoking imagery. Each of his creations is garnished with subtle elements of pop culture, extracted from movies and books. Embedded within every piece is a narrative, a metatext that enriches the viewer's experience without overwhelming them, for Anton believes that good art communicates softly but effectively.

What distinguishes Anton's work is his unwavering commitment to leaving his audience with a sense of open-ended wonder. His pieces invite viewers to engage in a dialogue with the art, encouraging them to interpret, question, and explore the narratives he presents. Choosing the perfect title for his works is a challenge that he often tackles by drawing inspiration from literature, cinema, or music.

Anton Terziev's career as a painter is intricately intertwined with his identity as a writer. His ideas take shape in the form of paintings and art objects, reflecting his diverse talents. Beyond painting, he brings his artistic vision to life through performances, filmmaking, and design, demonstrating a multifaceted approach to creative expression.

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