Athènes 2013 (2019) Collages by Annabelle Amory

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Cette toile ne devait pas être comme ça, à la base. Le thème était trouvé, mais la composition s'est faite au fur et à mesure. Cette femme ne pouvait pas se trouver seule sur cette toile. Elle devait "parler". J'ai alors choisi d'écrire des mots autour d'elle, comme des pensées. Peut-être que ça gâcherai tout, mais je m'en foutais un peu. Dans cette [...]
Cette toile ne devait pas être comme ça, à la base. Le thème était trouvé, mais la composition s'est faite au fur et à mesure... Cette femme ne pouvait pas se trouver seule sur cette toile. Elle devait "parler". J'ai alors choisi d'écrire des mots autour d'elle, comme des pensées. Peut-être que ça gâcherai tout, mais je m'en foutais un peu.
Dans cette peinture, il est question de résilience, ce mouvement psychologique qui consiste à faire d'un malheur, un traumatisme, une force. Et c'est ce qui m'est arrivé.
Mon premier séjour à Athènes, en 2013, dans le cadre de ma thèse, m'a sauvé la vie. J'ai revécu. J'étais depuis des années comme une personne qui ne noye au milieu d'une foule qui ne vous regarde pas. Athènes m'a tendue la main et m'a redonné les rênes de ma propre vie. Depuis ce séjour en 2013, j'ai changé ma vie, radicalement, j'ai pris mon envol et je me rapproche depuis ce jour de la personne que je souhaite être.

Related themes

AthènesPastPasséCageWoman

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Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above [...]

Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.

So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.

The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?

Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.

The Artist was highlighted in an article in ArtMajeur Magazine:

See more from Annabelle Amory

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