"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1500 px | ||
|
1500 px |
| Dimensions of the file (px) | 1500x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
on Paper
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Abstract Science fiction
Kompozycja zainspirowana rozważaniami w zakresie uogólnionej teorii oddziaływań.
Ogólna Teoria Oddziaływań
Kompozycje zatytułowane ‘Strings and Loops_X’ są graficznymi impresjami (na pewno dość odległymi od rzeczywistej złożoności) na temat częściowo konkurencyjnych Teorii Superstrun i Pętlowej Grawitacji Kwantowej – zmierzających do unifikacji czterech podstawowych oddziaływań [Jim Baggott …… ].
General Theory of Interactions
The compositions entitled 'Strings and Loops_X' are graphic impression (certainly quite distant from real complexity) about partially competitive theories of Super-Strins and the Loop Quantum Gravity - aimed at unifying four basic interactions [Jim Baggott .......].
Pomysł foto-grafiki interferencyjnej
Światło jest tu bezpośrednim medium do tworzenia kompozycji graficznych. Wykorzystany jest falowy aspekt natury światła. Koherentna (spójna) wiązka światła przechodząca przez zaprojektowane wcześniej obiekty (otwory lub maski) ugina się na ich krawędziach (dyfrakcja), a ugięte fragmenty wiązki interferują tworząc obrazy interferencyjne na ekranie, np. na powierzchni matrycy CCD. Tak zarejestrowane obrazy interferencyjne są bazą dla dalszej obróbki numerycznej.
Inspiracją dla kompozycji są niekiedy lektury dotyczące optyki, mechaniki kwantowej, kosmologii, ale są też kompozycje popełnione ‘bez inspiracji’.
The interference photo-graphics
Light, and especially its wavy nature, is here the direct medium for creating graphic compositions. A coherent light beam transmitting through previously designed objects (openings or masks) is diffracted at their edges and then parts of the diffracted beam interfere creating interference patterns on a distant screen, e.g. at a surface of CCD matrix. Interference images recorded in this way serve as the basis for further numerical processing.
The inspiration for the composition is sometimes reading about optics, quantum mechanics, cosmology, but there are also compositions committed 'without inspiration'.
Related themes
Studies at the Faculty of Electronics of the Gdańsk University of Technology completed in 1974, and then, in the following years, a doctorate (1983) and habilitation (2004) at the Institute of Electron Technology (ITE) in Warsaw in the field of semiconductor optoelectronics. Professional interests in the design, construction and technology of semiconductor lasers pursued at ITE and then as a researcher, then head of the Department of Optoelectronics at the Institute of Electronic Materials Technology (ITME).
Author and co-author of over 100 publications and patents in national and international publishing houses. End of scientific activity since 2019.
The place of birth - Szczecin - the port, the wide waters of the Oder, the proximity of the sea had a great influence on the artistic imagination.
Why Fine Arts?
Until the 90s, Szczecin was a large, efficiently operating seaport and a center of the shipbuilding industry. I grew up in this City. The interests in painting and architecture that I received from somewhere (?) became a bit sidelined after starting my studies at the Technical School, as it was a Mechanical and Energy School, with a newly opened RTV specialization. However, the atmosphere of the port city, the shipyard, the proximity and exoticism of the sea maintained and directed these interests towards naval science and ship architecture.
In the Youth Palace (later the Youth Culture Centre) in Szczecin, in the Art Studio, it was possible to continue developing them, and at the same time acquire a passion for history and fascination with ancient culture.
One of the features of the microclimate of Western Pomerania is (was) frequent rain in the summer. Walking in the rain at night and looking through glasses at the street lights illuminating the leaves of trees, you can immediately notice characteristic stripe structures initiated by raindrops on the glasses. These very diverse interference figures are created despite the near-zero coherence length of the street lamps, because the difference in optical paths is also near-zero. At that time, walking in the rain, I did not understand it that way, but the visual effect remained in my memory for a long time. And also the thought that it would have to be developed someday. But how?
The interference photo-graphics:
Light, and especially its wave nature, is here the direct medium for creating graphic compositions. A coherent light beam transmitting through previously designed objects (openings or masks) is diffracted at their edges and then parts of the diffracted beam interfere creating interference patterns on a screen, e.g. at a surface of CCD matrix. Interference images recorded in this way serve as the basis for further numerical processing.
The inspiration for the composition is sometimes reading about optics, quantum mechanics, cosmology, but there are also compositions committed 'without inspiration'.
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Nationality:
POLAND
- Date of birth : 1950
- Artistic domains:
- Groups: Contemporary Polish Artists
